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  1. Collection/
  2. Victoria and Albert Museum/
  3. Winged cherub head
Winged cherub head, Alfred George Stevens, ca. 1860
Alfred Stevens, portraitAlfred StevensRoyaume-Uni, 1817–1875

Winged cherub head

ca. 1860 · Model

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 12 jours
Dans cet état depuis
25 sept. 2026
Source
Les données de collection du musée lui-même
Sur la cartePage du musée

À propos de la sculpture

This is the original study for a detail of the bronze frieze of cherubs on the entablature of the monument to Arthur Wellesley, 1st Duke of Wellington, in St Paul's Cathedral, London. The original competitive sketch model produced by Stevens for the Wellington Monument commission is also in the Museum's collections (inv. no. 44-1878). It is the only one to survive out of a total of 83 submissions. Although Stevens came equal fifth in the competition, the winner being the Scots sculptor William Calder Marshall (1813-1894), he was eventually given the commission as his design was felt to be more in keeping with the interior of St Paul's. This cast is taken from a study by Stevens for one of the bronze figures on the Wellington Monument and is the pendant to another cherub head (Mus. no. A.7-1975).

Lire la suite

A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.

The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Victoria and Albert Museum

Notice

ca. 1860
18171875
Numéro d’inventaire
A.7A-1975

Ce qu’elle montre

Cherub

Au catalogue

SculpturePlâtreRéalismeImpressionnismeXIXe siècleAngleterre

Sources

  • Victoria and Albert Museum : les données ouvertes du musée · obtenue il y a 12 jours
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London

Autres œuvres : Alfred Stevens

Toutes les œuvres
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · Victoria and Albert Museum

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · Victoria and Albert Museum

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · Victoria and Albert Museum

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · National Gallery

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · Non exposée · Art Institute of Chicago

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · Non exposée · Art Institute of Chicago

Drawing, Alfred George Stevens

Drawing

Non exposée · Victoria and Albert Museum

Drawing, Alfred George Stevens

Drawing

Non exposée · Victoria and Albert Museum

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