ART WIKI
William Cullen Bryant, Charles Loring Elliott, c. 1854
Charles Loring Elliott, portraitCharles Loring ElliottÉtats-Unis, 1812–1868

William Cullen Bryant

c. 1854 · Painting

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
Dans cet état depuis
Source
Le musée
Sur la cartePage du musée

Notice

Numéro d’inventaire
2015.19.120

Ce qu’elle montre

Bust facing rightBryant, William Cullen

Au catalogue

PeinturesHuilePeinture américaineRéalismeXIXe siècleAmericanRealist

Sources

Autres œuvres : Charles Loring Elliott

Toutes les œuvres
Thomas McKenney, Charles Loring Elliott, 1856

Thomas McKenney

1856 · National Portrait Gallery

Mrs. Sylvanus D. Lewis (Estelle Anna Blanche Robinson), Seth Wells Cheney, after Charles Loring Elliott, 1848-1856

Mrs. Sylvanus D. Lewis (Estelle Anna Blanche Robinson)

1848-1856 · Non exposée · National Gallery of Art

William Sidney Mount, Charles Loring Elliott, c. 1850

William Sidney Mount

c. 1850 · Non exposée · National Gallery of Art

Unfinished Portrait of Henry J. Brent, 1811-1850, Charles Loring Elliott, c. 1850

Unfinished Portrait of Henry J. Brent, 1811-1850

c. 1850 · Non exposée · Minneapolis Institute of Art

Captain Warren Delano, Charles Loring Elliott, c. 1852

Captain Warren Delano

c. 1852 · Non exposée · National Gallery of Art

Portrait of the Artist Asa W. Twitchell, Charles Loring Elliott, 1864

Portrait of the Artist Asa W. Twitchell

1864 · Non exposée · National Gallery of Art

Asher B. Durand, Frederick Halpin, after Charles Loring Elliott, 1865

Asher B. Durand

1865 · Non exposée · National Gallery of Art

Mr. William W. Corcoran, Goupil & Company, after Charles Loring Elliott, 1867-1877

Mr. William W. Corcoran

1867-1877 · Non exposée · National Gallery of Art

Sous le même toit : National Gallery of Art

Page du musée
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sur le même thème · Bust facing right

Toutes les œuvres sur ce thème
Self-Portrait of Rembrandt, Georg Friedrich Schmidt, after Rembrandt van Rijn, 1771

Rembrandt van Rijn

Self-Portrait of Rembrandt, 1771

Non exposée · National Gallery of Art

William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, Allen Ginsberg, 1961, printed 1995

Allen Ginsberg

William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, 1961, printed 1995

Non exposée · National Gallery of Art

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443, Pisanello, c. 1449

Pisanello

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443, c. 1449

Non exposée · National Gallery of Art

Portrait of a Man, Facing Right, Alex Katz, 1950s

Alex Katz

Portrait of a Man, Facing Right, 1950s

Non exposée · National Gallery of Art

Gian Galeazzo Maria Sforza, Duke of Milan, Workshop of Benedetto Briosco, early 1490s

anonymous

Gian Galeazzo Maria Sforza, Duke of Milan, early 1490s

Non exposée · National Gallery of Art

Bust of a Youth, Studio of Giovanni Bernardi

anonymous

Bust of a Youth

Non exposée · National Gallery of Art

Filippo Maria Visconti, Imitator of Benedetto Briosco, part before 1878, part 1930

anonymous

Filippo Maria Visconti, part before 1878, part 1930

Non exposée · National Gallery of Art

Joel Barlow, after Jean-Antoine Houdon, model 1803, cast by 1913

Jean-Antoine Houdon

Joel Barlow, model 1803, cast by 1913

Non exposée · National Gallery of Art