ART WIKI32 963 en salle
CarteCollectionArtistesMuséesExpositionsJournal
Connexion

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

Rubriques

  • Carte
  • Recherche
  • Collection
  • Chefs-d’œuvre
  • Exposées en ce moment
  • Artistes

Et aussi

  • Musées et galeries
  • Expositions
  • Journal
  • D’où viennent les données
  • Confidentialité et cookies
AccueilCarteCatalogue
  1. Collection/
  2. Metropolitan Museum of Art/
  3. Watson and the Shark
Watson and the Shark, John Singleton Copley, ca. 1778

Watson and the Shark

ca. 1778 · Painting

Notice

ca. 1778
17381815
Numéro d’inventaire
42.71.1

Pendant ce temps, chez John Singleton Copley

La vie entière
  1. 1774–1815 · Lieu de travail

    London

  2. second half of the 1770s

    A turn to history painting

    In London Copley follows the fashion set by West and begins to paint historical pieces as well as portraits; together they create a new kind of history painting with modern subjects, chiefly the deaths of heroes, and scrupulous attention to contemporary detail. His first such work, “Watson and the Shark”, is based on the story of Brook Watson, who as a boy of fourteen was attacked by a shark while swimming in Havana harbour.

  3. 1776

    Elected an associate of the Royal Academy

    Copley is elected an associate member of the Royal Academy of Arts. From this year until 1815 he sends forty-three paintings to its exhibitions.

  4. 1779

    Becomes an Academician of the Royal Academy

    Copley is elected a full Academician of the Royal Academy of Arts in London, three years after becoming an associate. Other accounts place his election to full membership in 1783.

Autres œuvres : John Singleton Copley

Toutes les œuvres

Dans la même salle · Gallery 717, Metropolitan Museum of Art

Page du musée

Sur le même thème · Fear

Toutes les œuvres sur ce thème
John Singleton Copley, portraitJohn Singleton CopleyÉtats-Unis, 1738–1815

Peut-on la contempler ?

Oui, elle reçoit

Metropolitan Museum of Art

New York, États-Unis

Salle717

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 3 jours
Dans cet état depuis
26 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

FearHommeMale NudesFishBoats

Au catalogue

PeinturesHuilePeinture américaineRococoNéoclassicismeXVIIIe siècleÉtats-Unis

Sources

  • Metropolitan Museum of Art
  • Image : Metropolitan Museum of Art — Open Access (CC0)
Daniel Crommelin Verplanck, John Singleton Copley, 1771

Daniel Crommelin Verplanck

1771 · Metropolitan Museum of Art

Jane Browne, John Singleton Copley, 1756

Jane Browne

1756 · National Gallery of Art

Epes Sargent, John Singleton Copley, c. 1760

Epes Sargent

c. 1760 · National Gallery of Art

Anne Fairchild Bowler (Mrs. Metcalf Bowler), John Singleton Copley, c. 1763

Anne Fairchild Bowler (Mrs. Metcalf Bowler)

c. 1763 · National Gallery of Art

Portrait of Sarah Allen, née Sargent, John Singleton Copley, c. 1763

Portrait of Sarah Allen, née Sargent

c. 1763 · Minneapolis Institute of Art

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763

Mrs. Jerathmael Bowers

ca. 1763 · Metropolitan Museum of Art

Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), John Singleton Copley, c. 1764

Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis)

c. 1764 · National Gallery of Art

Mrs. Sylvanus Bourne, John Singleton Copley, 1766

Mrs. Sylvanus Bourne

1766 · Metropolitan Museum of Art

Moses Shown the Promised Land, Benjamin West, 1801

Benjamin West

Moses Shown the Promised Land, 1801

Hagar and Ishmael, Benjamin West, 1776, reworked 1803

Benjamin West

Hagar and Ishmael, 1776, reworked 1803

Mrs. John Winthrop, John Singleton Copley, 1773

John Singleton Copley

Mrs. John Winthrop, 1773

Joseph Sherburne, John Singleton Copley, ca. 1767–70

John Singleton Copley

Joseph Sherburne, ca. 1767–70

Mrs. Sylvanus Bourne, John Singleton Copley, 1766

John Singleton Copley

Mrs. Sylvanus Bourne, 1766

Mrs. Samuel Mifflin and Her Granddaughter Rebecca Mifflin Francis, Charles Willson Peale, 1777–80

Charles Willson Peale

Mrs. Samuel Mifflin and Her Granddaughter Rebecca Mifflin Francis, 1777–80

Benjamin Franklin (1706–1790), Jean Antoine Houdon, 1778

Jean-Antoine Houdon

Benjamin Franklin (1706–1790), 1778

Esther Boardman, Ralph Earl, 1789

Ralph Earl

Esther Boardman, 1789

Plate Number 73. Turning around in surprise and running away, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 73. Turning around in surprise and running away, 1887

Non exposée · National Gallery of Art

The Triumph of Poverty, German or South Netherlandish 17th Century, c. 1600

German or South Netherlandish 17th Century

The Triumph of Poverty, c. 1600

Non exposée · National Gallery of Art

The Triumph of Poverty, Flemish 16th Century, 16th century

Flemish 16th Century

The Triumph of Poverty, 16th century

Non exposée · National Gallery of Art

The Black Cat, Rolf Brandt, ca. 1945

Rolf Brandt

The Black Cat, ca. 1945

Non exposée · Victoria and Albert Museum

Fear, 1750-1800

Fear, 1750-1800

Victoria and Albert Museum

The Signalman, Rolf Brandt, ca. 1945

Rolf Brandt

The Signalman, ca. 1945

Non exposée · Victoria and Albert Museum

Panel for a Screen: Children Frightened by a Rabbit, Albert Pinkham Ryder, ca. 1876

Albert Pinkham Ryder

Panel for a Screen: Children Frightened by a Rabbit, ca. 1876

Smithsonian American Art Museum

"The Goblins 'l Git Yer", Helen Hyde, 1918

Helen Hyde

"The Goblins 'l Git Yer", 1918

Smithsonian American Art Museum