
Gustave CaillebotteFrance, 1848–1894Vue de toits
Peut-on la voir ?
Inconnu
Où est « Vue de toits » aujourd’hui ? Collection: Musée d'Orsay, Paris. Inconnu.
Paris, France
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
À propos du tableau
Vue de toits (Effet de neige), appelée aussi Toits sous la neige, Paris, est une huile sur toile du peintre français Gustave Caillebotte réalisée en 1878-1879. Conservée au Musée d'Orsay, à Paris, elle représente les toits de Paris sous la neige.
Notice
- Numéro d’inventaire
- RF 876
Au catalogue
Sources
- Wikidata
- Image : Musée d'Orsay — Gustave Caillebotte · Public domain · Wikimedia Commons
Dans la vie de Gustave Caillebotte
La vie entière1876
His younger brother René dies
In 1876 René (1851–1876), Gustave’s younger brother, died; in some of his early works Caillebotte had used his mother and brothers as models.
1876
A debut at the Second Impressionist Exhibition
In 1876 Caillebotte made his debut at the Second Impressionist Exhibition with eight paintings, including “The Floor Scrapers” (1875), his earliest masterpiece.
c. 1876 – 1878
Writes his will before the age of thirty
Convinced after René’s death that his own life would be short, Caillebotte wrote his will while still in his twenties, bequeathing a large collection to the French government.
1877
Takes charge of the Third Impressionist Exhibition
By the Third Impressionist Exhibition in 1877 Caillebotte had assumed the leadership role: he secured rental space, selected artists and works and hung the paintings. His involvement eventually declined, but in the end he showed works in five of the eight Impressionist exhibitions.
after 1878
Living with his brother Martial: photographs after his paintings
After their parents’ deaths Gustave lived for a long time with his brother Martial, first in Paris and then in Gennevilliers, where they bought an estate; the brothers shared an interest in faience collecting, philately and sailing, and Martial, a composer and photographer, often reproduced the compositions of his brother’s paintings in his photographs.
1879
The Fourth Impressionist Exhibition: 35 works on water and leisure
In 1879 Caillebotte submitted 35 paintings and pastels on water sports, boating and riverside leisure; “Oarsman in a Top Hat” (Boating Party) was considered one of the best of them, and the show is described as the most important exhibition of his works during his lifetime.






