Vishnu Chaturmurti
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Victoria and Albert Museum
Londres, Royaume-Uni
Elle appartient à la collection, mais n’est pas présentée en ce moment.
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- Dans cet état depuis
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- Les données de collection du musée lui-même
About the sculpture
This sculpture takes the form of a pillar, with four figures of the Hindu god Vishnu emerging from the shaft. This four-fold manifestation is known as ‘caturmurti’. There are three representations of Vishnu in his supreme form as Para-Vasudeva, and one in his man-lion appearance (‘Narasimha avatara’).
The figures face the four cardinal directions, so asserting Vishnu’s claim as a Universal Sovereign. Vishnu in his human form holds in his raised arms an elliptical discus (‘cakra’) and a club (‘gada’). His lower hands are damaged but probably one held a conch shell (‘sangka’), while the other gestured grace to his devotees.
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The pillar appears to take the form of a linga – the phallic symbol of Shiva. This is a reminder that this composition of multiple forms of Vishnu took its inspiration from the Saivite version of this subject. Ultimately it may be traced to the ‘caturmukhalinga’, the four-faced linga with the four aspects of Shiva, which first appeared in the early Kushan period (1st-3rd centuries AD), if not earlier.
The figures of Visnu stand on an octagonal plinth decorated with a foliate design inspired by the style of the Gupta period (320-about 540 AD) in northern India. This is a reminder that the model for this composition is to be found in that style of which the art of the Licchavi period (about 300-800 AD) in Nepal was a natural extension.
Victoria and Albert Museum
Notice
- Numéro d’inventaire
- IS.30-1987
What it shows
Au catalogue
Sources
- Victoria and Albert Museum: the museum's own open data · obtenue il y a 10 jours
- Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
