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  1. Collection/
  2. Minneapolis Institute of Art/
  3. Virgin and Child
Virgin and Child, Sebald Beham, 1518–25

Virgin and Child

1518–25 · Print

À propos de l’œuvre

Virgin and Child was clearly meant to be seen from a distance. The large, uncluttered composition allows the flowing lines to stand out. Its creator, Sebald Beham, meant it for public devotion of the Madonna. He used simple patterns of lines to make the cutting of the printing block quicker and cheaper, an important consideration for a work of art intended for a middle-class market. Most examples were probably affixed to walls and have long since perished from exposure to weather, insects, and vandalism. Of the hundreds printed, only about a dozen survive.

The enclosure within which Mary sits is the hortus conclusis, the enclosed garden that separates her from the outside world, symbolizing a sort of new Eden for the pure Virgin. Common in late-medieval Marian iconography, the idea echoes the Songs of Solomon (4:12):

Lire la suite

A garden locked is my sister, my bride, a spring locked, a fountain sealed.

Minneapolis Institute of Art

Notice

1518–25 · à 18 ans
1500

Autres œuvres : Hans Sebald Beham

Toutes les œuvres

Dans la même salle · G344, Minneapolis Institute of Art

Page du musée
1550
Numéro d’inventaire
2016.15.1

Sources

  • Minneapolis Institute of Art
  • Image : Minneapolis Institute of Art — public domain
Hans Sebald Beham, portraitHans Sebald BehamAllemagne, 1500–1550

Peut-on la contempler ?

Oui, elle reçoit

Minneapolis Institute of Art

Minneapolis, États-Unis

SalleG344

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 3 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée
Ecce Homo (one of a pair), Sebald Beham, ca. 1525

Ecce Homo (one of a pair)

ca. 1525 · Metropolitan Museum of Art

Table peinte illustrant l'Histoire de David, Beham, Hans Sebald, XVIe siècle (1534)

Table peinte illustrant l'Histoire de David

XVIe siècle (1534) · Musée du Louvre

Adam and Eve, Sebald Beham, 16th century

Adam and Eve

16th century · Musées d'Art de Harvard

Eve, Sebald Beham, 1519

Eve

1519 · Musées d'Art de Harvard

The Man of Sorrows, Hans Sebald Beham, 1520

The Man of Sorrows

1520 · Art Institute of Chicago

The Head of Christ, Sebald Beham, 1520

The Head of Christ

1520 · Musées d'Art de Harvard

Hercules and Nessus, from The Labors of Hercules, Hans Sebald Beham, 1542

Hercules and Nessus, from The Labors of Hercules

1542 · Art Institute of Chicago

Hercules and Iole, from The Labors of Hercules, Hans Sebald Beham, 1544

Hercules and Iole, from The Labors of Hercules

1544 · Art Institute of Chicago

The Death of the Virgin, Martin Schongauer, c. 1473–74

Martin Schongauer

The Death of the Virgin, c. 1473–74

Adoration of the Magi, Giambattista Tiepolo, 1753–57

Giovanni Battista Tiepolo

Adoration of the Magi, 1753–57

The Miracle of the Santa Casa of Loreto (recto); The Virgin and Child Carried by Angels (verso), Pietro Antonio de' Pietri, c. 1700

Pietro Antonio de Pietri

The Miracle of the Santa Casa of Loreto (recto); The Virgin and Child Carried by Angels (verso), c. 1700

The Holy Family with St. Elizabeth and the Infant St. John the Baptist, Elisabetta Sirani, 1655–65

Elisabetta Sirani

The Holy Family with St. Elizabeth and the Infant St. John the Baptist, 1655–65

The Virgin and Child with Cat and Snake, Rembrandt van Rijn, 1654

Rembrandt van Rijn

The Virgin and Child with Cat and Snake, 1654

Christ Returning from the Temple with His Parents, Rembrandt van Rijn, 1654

Rembrandt van Rijn

Christ Returning from the Temple with His Parents, 1654

The Flight into Egypt (altered from Tobias and the Angel by Hercules Segers), Rembrandt van Rijn, 1653

Rembrandt van Rijn

The Flight into Egypt (altered from Tobias and the Angel by Hercules Segers), 1653

The Death of the Virgin, Rembrandt van Rijn, 1639

Rembrandt van Rijn

The Death of the Virgin, 1639

Au catalogue

EstampesGravure sur boisRenaissanceXVIe siècleAllemagne