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  3. Virgin and Child
Virgin and Child, Hans Memling, c. 1470–80
Hans Memling, portraitHans MemlingPays-Bas, 1494

Virgin and Child

c. 1470–80 · Painting

À propos du tableau

This small panel was once part of a devotional portrait diptych (a hinged two-panel painting). The Christ child’s attention seems drawn to something outside the picture and lifts his hand in recognition. The opposing panel, once hinged on the right, would have featured a portrait of its original owner in prayer, now unfortunately lost. Such devotional portrait diptychs were popular after 1400 and remained so until their production ceased around the 1530s. Used in private chapels or within the curtain folds of four-poster beds, they could easily be closed when not in use. Hans Memling was born near Frankfurt, Germany. He settled in Bruges around 1465 where he developed a reputation for his painting skills, and provided works to the Burgundian court, which likely cultivated the taste for small portrait diptychs. This example seems to have been painted by a member of Memling’s workshop, perhaps for a wealthy merchant or clergyman.

Cleveland Museum of Art

Notice

Numéro d’inventaire
1934.29

Pendant ce temps, chez Hans Memling

La vie entière
  1. 1466–1494 · Lieu de travail

    Bruges

  2. between 1470 and 1480

    Marries Anna de Valkenaere

    Sometime between 1470 and 1480 Memling marries Anna de Valkenaere; the couple have three sons, Jan, Cornelis and Nicolaas.

  3. April 1473

    “The Last Judgment” is captured by a Danzig privateer

    The triptych, commissioned for a chapel at Fiesole by Angelo Tani, former director of the Bruges branch of the Medici bank, is shipped to Italy by sea; in April 1473 the vessel is captured by the Danzig privateer Paul Beneke. Neither the Medici bank’s protests nor a bull of Pope Sixtus IV win the painting back, and it stays in Danzig, now Gdańsk.

  4. 1477

    A contract with the booksellers’ guild of Bruges

    In 1477, when he was believed dead, Memling is under contract for an altarpiece for the guild chapel of the booksellers of Bruges, the “Scenes of the Passion of Christ”, now in the Galleria Sabauda in Turin. The romantic legend of a soldier of Charles the Bold’s army wounded at Nancy in 1477 does not correspond to reality.

  5. 1480

    Among the richest burghers: a loan to Maximilian I

    A tax document of 1480 lists Memling among the wealthiest citizens of Bruges: his name is on the list of 875 burghers obliged to subscribe to the loan Maximilian I of Austria raised to finance his war against France. It does not appear on later lists of this kind.

Autres œuvres : Hans Memling

Toutes les œuvres

Dans la même salle · 112 Northern Renaissance, Cleveland Museum of Art

Page du musée
  • 1480 and 1486

    Two of Memling’s apprentices join the guild

    The registers of the painters’ guild of Bruges name two apprentices who served their time with Memling and paid their dues on admission to the guild in 1480 and 1486.

  • Peut-on la contempler ?

    Oui, elle reçoit

    Cleveland Museum of Art

    Cleveland, États-Unis

    Salle112 Northern Renaissance

    Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

    Vérifié
    il y a 3 jours
    Dans cet état depuis
    19 août 2026
    Source
    Le musée
    Sur la cartePage du musée

    Au catalogue

    PeinturesHuilePeinture allemandeRenaissanceXVe siècleFlanders, Bruges

    Sources

    • Cleveland Museum of Art
    • Image : Cleveland Museum of Art — Museum open access
    The Annunciation, Hans Memling, ca. 1465–70

    The Annunciation

    ca. 1465–70 · Metropolitan Museum of Art

    Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling, ca. 1470

    Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)

    ca. 1470 · Metropolitan Museum of Art

    The Annunciation, Hans Memling, 1480–89

    L'Annonciation

    1480–89 · Metropolitan Museum of Art

    Virgin and Child, Hans Memling, Early sixteenth century

    Virgin and Child

    Early sixteenth century · Metropolitan Museum of Art

    Portrait d'une femme âgée, Memling, Hans, XVe siècle (1400 - 1500)

    Portrait d'une femme âgée

    XVe siècle (1400 - 1500) · Musée du Louvre

    Saint Jean Baptiste, Memling, Hans, XVe siècle

    Saint Jean Baptiste

    XVe siècle · Musée du Louvre

    La Vierge et l'Enfant entourés de saintes, Memling, Hans, XVe siècle (1400 - 1500)

    La Vierge et l'Enfant entourés de saintes

    XVe siècle (1400 - 1500) · Musée du Louvre

    Ange tenant un rameau d' olivier, Memling, Hans, XVe siècle (1400 - 1500)

    Ange tenant un rameau d' olivier

    XVe siècle (1400 - 1500) · Musée du Louvre

    The Annunciation, Albert Bouts, c. 1480

    Aelbert Bouts

    The Annunciation, c. 1480

    Saint John the Baptist, Dieric Bouts, c. 1475–85

    Dirck Bouts

    Saint John the Baptist, c. 1475–85

    The Nativity, Gerard David, c. 1485–90

    Gerard David

    The Nativity, c. 1485–90

    The Adoration of the Magi, Geertgen tot Sint Jans, 1480s

    Geertgen tot Sint Jans

    The Adoration of the Magi, 1480s

    The Crucifixion with a Carthusian Monk, Rogier van der Weyden, 1460

    Rogier van der Weyden

    The Crucifixion with a Carthusian Monk, 1460

    Virgin and Child under a Canopy, 1520s

    Virgin and Child under a Canopy, 1520s

    Saint Barbara, Master of the Holy Blood, c. 1520

    Master of the Holy Blood

    Saint Barbara, c. 1520

    Saint Catherine and Saint Barbara (pair), Master of the Holy Blood, c. 1520

    Master of the Holy Blood

    Saint Catherine and Saint Barbara (pair), c. 1520