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AccueilCarteCatalogue
  1. Collection/
  2. Palais de Peterhof/
  3. Весна
Весна, Mikhail Nesterov, 1890-1910
Mikhail Nesterov, portraitMikhail Nesterov1862–1942

Весна

1890-1910 · Painting · 75 × 86 cm

Peut-on la contempler ?

Inconnu

PP
Palais de Peterhof

Saint-Pétersbourg, Russie

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
29 sept. 2026
Source
Le musée
Sur la cartePage du musée

Notice

1890-1910
18621942
Numéro d’inventaire
ПДМП 1321-ж

Au catalogue

PeinturesHuilePeinture russePeinture soviétiqueImpressionnismeXIXe siècle

Sources

  • Le Catalogue national du fonds muséal de Russie
  • Image : Palais de Peterhof — © Петергоф · Госкаталог музейного фонда РФ

Pendant ce temps, chez Mikhail Nesterov

La vie entière
  1. 1889

    “The Hermit” at the 17th Peredvizhniki show

    Shown at the 17th Peredvizhniki exhibition, “The Hermit” caused a stir and placed the young Nesterov among the most outstanding painters of the day; the word “mood” recurred in almost every review. Pavel Tretyakov bought the painting.

  2. May 1889

    First journey abroad

    With the money from selling “The Hermit” to Tretyakov, Nesterov set off on his first trip abroad: Warsaw, Vienna, Venice, Florence, Rome, Naples with Pompeii and Capri, Paris, Munich, Berlin, Dresden. He brought back dozens of studies on lemon-wood panels, most of them from Capri; his travel diary (20 April – 24 July 1889) is kept in the Presidential Library.

  3. May – July 1889

    Carpaccio in Venice, Bastien-Lepage in Paris

    In Venice Nesterov was struck above all by Vittore Carpaccio's “naive composition” and “childlike faith”, in Rome by Raphael's frescoes and the Sistine Chapel. In Paris he saw the painting of Puvis de Chavannes and Bastien-Lepage, whose “Joan of Arc”, art historians agree, decisively shaped the concept of “The Vision to the Youth Bartholomew”.

  4. 1890

    Invited to paint St Volodymyr's Cathedral

    Professor Adrian Prakhov, who was in charge of decorating St Volodymyr's Cathedral in Kiev, saw “The Youth Bartholomew” and invited its author. After some hesitation Nesterov agreed — and ended up devoting more than 22 years to church murals and icons.

  5. 1890

    “The Vision to the Youth Bartholomew” causes a sensation

    The painting, for which Nesterov made landscape studies near the Trinity-Sergius Lavra while living in the village of Komyakino near Khotkovo, provoked the most conflicting opinions, became the sensation of the 18th Peredvizhniki exhibition and was bought by Tretyakov. To the end of his days the artist considered it his finest work.

  6. 1902

    Marries Ekaterina Vasilyeva

    In spring 1902 Nesterov exhibited in Kiev his programmatic painting “Holy Rus” (“Come unto Me, all ye that labour and are heavy laden…”), finished in rough — Christ surrounded by saints and by pilgrims, the people's Russia. Ekaterina Petrovna Vasilyeva, who came to see it, became his wife a few months later — an acquaintance that proved a turning point in his life.

Autres œuvres : Mikhail Nesterov

Toutes les œuvres
Великий постриг, Mikhail Nesterov, 1898

Великий постриг

1898 · Musée russe

Преподобный Сергий Радонежский, Mikhail Nesterov, 1899

Преподобный Сергий Радонежский

1899 · Musée russe

Святая Русь, Mikhail Nesterov, 1905

Святая Русь

1905 · Musée russe

Портрет О. М. Нестеровой («Амазонка»), Mikhail Nesterov, 1906

Портрет О. М. Нестеровой («Амазонка»)

1906 · Musée russe

Автопортрет, Mikhail Nesterov, 1915

Автопортрет

1915 · Musée russe

Пейзаж, Mikhail Nesterov, 1917

Пейзаж

1917 · Musée russe

Лесной пейзаж, Mikhail Nesterov, 1920s

Лесной пейзаж

1920s · Musée russe

Лель (Весна), Mikhail Nesterov, 1933

Лель (Весна)

1933 · Musée russe