VENUS ENDORMIE AVEC DES AMOURS, Annibale Carracci, 1602 vers,1603 et
Annibale Carracci, portraitAnnibale CarracciItalie, 1560–1609

VENUS ENDORMIE AVEC DES AMOURS

1602 vers,1603 et · Painting · 190 × 328 cm

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Où est « VENUS ENDORMIE AVEC DES AMOURS » aujourd’hui ? Collection: Musée Condé, Chantilly. Inconnu.

Musée Condé

Chantilly, France

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Le musée

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Numéro d’inventaire
PE 63

Ce qu’elle montre

Au catalogue

Sources

  • Musée Condé
  • Image : Musée Condé — © R.G. Ojeda ; Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde

Dans la vie de Annibale Carracci

La vie entière
  1. 1595–1609 · Lieu de travail

    Rome

  2. 1597–1605

    Assistants at the Palazzo Farnese: the masters to come

    Many of Annibale’s assistants and pupils on the projects at the Palazzo Farnese and the Herrera Chapel became pre-eminent artists of the next decades, among them Domenichino, Francesco Albani, Giovanni Lanfranco, Domenico Viola, Guido Reni and Sisto Badalocchio.

  3. 1602

    The commission for the Herrera Chapel

    In 1602 Annibale received the commission to decorate the Herrera Chapel in the Roman church of San Giacomo degli Spagnoli. The surviving parts of the frescoes were later transferred to the National Art Museum of Catalonia in Barcelona and some to the Prado Museum in Madrid.

  4. 1602

    A trip to Emilia-Romagna, probably for Agostino’s funeral

    After 1595 Annibale left Rome only twice; the first time was briefly in 1602, to Emilia-Romagna, probably for the funeral of his brother Agostino.

  5. c. 1605

    A mental breakdown after a meagre fee

    Carracci was a melancholic, and around 1605 he suffered a mental breakdown which, biographers explain, was caused by the unexpectedly low fee of 500 scudi for the frescoes of the Farnese gallery.

  6. 1605

    Serious illness: rheumatism keeps him from painting

    In March 1605 Annibale fell seriously ill and apparently never recovered enough to resume work. From 1605 severe rheumatic pains deprived him of the ability to paint.

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