Ferdinand BolPays-Bas, 1616–1680Uur van de Dood
Peut-on la contempler ?
Inconnu
Amsterdam, Pays-Bas
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Source
- Le musée
À propos de l’œuvre
Selon le musée — en néerlandais
Hoveling trekt zich terug voor bezinning in de tuin van het paleis. Het skelet van de Dood zit naast hem. Een courtisane probeert hem te verleiden maar hij geeft niet toe aan aardse lusten. Hij bekeert haar tot een kuise levenswijze.
Rijksmuseum Amsterdam
Notice
- Numéro d’inventaire
- RP-P-OB-190
Ce qu’elle montre
Au catalogue
Sources
- Rijksmuseum Amsterdam
- Image : Rijksmuseum Amsterdam — public domain
Pendant ce temps, chez Ferdinand Bol
La vie entièreafter 1635
Apprenticed in Rembrandt's workshop
After December 1635, when Bol is still recorded in Dordrecht as a painter, he works as an apprentice in Rembrandt's Amsterdam workshop (other accounts say already after 1630) and lives in his house. He followed his master so closely that many of his paintings were long attributed to Rembrandt himself, and Rembrandt even sold his pupil's work.
1636–1641
Teacher: Rembrandt
1636–1680 · Lieu de travail
Amsterdam
1641
Opens his own studio
After his father's death, Bol opens his own studio and establishes himself as an independent artist.
1641
Pupil: Cornelis Bisschop
1641
Death of his father, Balthasar Bol
Balthasar Bol, chief surgeon of Dordrecht, dies; Rembrandt had painted his portrait when he came to Amsterdam to visit his son.
