ART WIKI32 963 en salle
CarteCollectionArtistesMuséesExpositionsJournal
Connexion

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

Rubriques

  • Carte
  • Recherche
  • Collection
  • Chefs-d’œuvre
  • Exposées en ce moment
  • Artistes

Et aussi

  • Musées et galeries
  • Expositions
  • Journal
  • D’où viennent les données
  • Confidentialité et cookies
AccueilCarteCatalogue
  1. Collection/
  2. Museum of Modern Art/
  3. Untitled
Untitled, Margaret Bourke-White, 1929
Margaret Bourke-White, portraitMargaret Bourke-WhiteÉtats-Unis, 1904–1971

Untitled

1929 · Photograph

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 9 jours
Source
Le musée
Sur la cartePage du musée

Notice

1929 · à 25 ans
19041971
Numéro d’inventaire
162.1974

Au catalogue

PhotographiesTirage gélatino-argentiqueModernismeXXe siècle

Sources

  • Museum of Modern Art
  • Image : Museum of Modern Art — © the artist or rights holder

Pendant ce temps, chez Margaret Bourke-White

La vie entière
  1. 1927

    Becomes Bourke-White

    She adds her mother’s surname, Bourke, to her own name, White, and hyphenates the result.

  2. 1928

    Moves to Cleveland: an industrial photography studio

    A year after graduating she moves from Ithaca to Cleveland, where she opens a commercial photography studio and concentrates on architectural and industrial work. Among her clients is the Otis Steel Company (other accounts say she went to work for it straight away as an industrial photographer).

  3. summer 1929

    Joins Fortune magazine

    She accepts a post as associate editor and staff photographer at the new business magazine Henry Luce is launching in the fall. She holds it until 1935.

  4. 1930

    First Western photographer admitted to the USSR

    She is granted official access to document the industrial sites of the Soviet Union during the first five-year plan, the first Western professional photographer to be admitted. She returns in each of the next two summers, until 1932.

  5. 1930–1932

    Photographs Stalin, his mother, Radek and Eisenstein

    On her trips she photographs Joseph Stalin and, in Georgia, his mother and great-aunt; she also portrays Karl Radek, Sergei Eisenstein and Hugh Cooper. The work in the USSR demanded great patience, and her impressions remained mixed but on the whole positive.

  6. 1931

    “Eyes on Russia” in Fortune

    Her Soviet photographs first appear in Fortune under the title “Eyes on Russia”; a book of the same name follows from Simon and Schuster.

Autres œuvres : Margaret Bourke-White

Toutes les œuvres
Garden of Mrs. F. F. Prentis, Cleveland, Margaret Bourke-White, 1920s

Garden of Mrs. F. F. Prentis, Cleveland

1920s · Non exposée · Museum of Modern Art

The Towering Smokestacks of the Otis Steel Co., Cleveland, Margaret Bourke-White, 1927-28

The Towering Smokestacks of the Otis Steel Co., Cleveland

1927-28 · Non exposée · Museum of Modern Art

Workman Operating “Mud Gun” to Stop Up Tapping Hole of Blast Furnace, Otis Steel Co., Margaret Bourke-White, 1928

Workman Operating “Mud Gun” to Stop Up Tapping Hole of Blast Furnace, Otis Steel Co.

1928 · Non exposée · National Gallery of Art

From The Terminal Tower, Cleveland, Margaret Bourke-White, c. 1928

From The Terminal Tower, Cleveland

c. 1928 · Non exposée · Museum of Modern Art

The Steppe: Ukraine, Margaret Bourke-White, 1930

The Steppe: Ukraine

1930 · Non exposée · National Gallery of Art

Mtskhet in the Caucasus: Ancient Capital of Georgia, Margaret Bourke-White, 1930–1932

Mtskhet in the Caucasus: Ancient Capital of Georgia

1930–1932 · Non exposée · National Gallery of Art

For the Iron Mine Foundations: Magnet Mountain, Margaret Bourke-White, 1930–1932

For the Iron Mine Foundations: Magnet Mountain

1930–1932 · Non exposée · National Gallery of Art

Bolshevic Babies in the Nursery: AMO Automobile Factory, Margaret Bourke-White, 1930–1932

Bolshevic Babies in the Nursery: AMO Automobile Factory

1930–1932 · Non exposée · National Gallery of Art

Sous le même toit : Museum of Modern Art

Page du musée
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950