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  1. Collection/
  2. Art Institute of Chicago/
  3. Untitled (John-John and Bobby)
Untitled (John-John and Bobby), Larry Johnson, 1988
LLarry JohnsonÉtats-Unis

Untitled (John-John and Bobby)

1988 · Photograph

À propos de l’œuvre

Larry Johnson is an idiosyncratic artist whose signature style consists of graphic photographed collages that demonstrate his consuming passion for celebrity, advertising, and the cultures and subcultures of Southern California. Untitled (John-John and Bobby) is part of a series that Johnson began in 1985; centering on the Kennedy family, it demonstrates his interest not only in individual family members, but also in the era of American society and politics that they typify. This work consists of a fictional account by Johnson, which bears no connection to the Kennedy family other than the names and the reference in the first panel to “Kennedy half-dollars.” The disjointed story fragment includes a pornographic account of the hustler lifestyle and more broadly addresses how the media packages public figures and represents them as entertainment.

Art Institute of Chicago · CC BY 4.0

Notice

Numéro d’inventaire
2011.294

Autres œuvres : Larry Johnson

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Sous le même toit : Art Institute of Chicago

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Art Institute of Chicago

Chicago, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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PhotographiesTirage couleurArt contemporainXXe siècleÉtats-Unis

Sources

  • Art Institute of Chicago
  • Image : Art Institute of Chicago — © the artist or rights holder
Untitled (Grief Is Devastating), Larry Johnson, 1985

Untitled (Grief Is Devastating)

1985 · Non exposée · Art Institute of Chicago

Untitled (The Friends You Keep and The Books You Read), Larry Johnson, 1988

Untitled (The Friends You Keep and The Books You Read)

1988 · Non exposée · Whitney Museum of American Art

Untitled (Peter Lawford), Larry Johnson, 1995

Untitled (Peter Lawford)

1995 · Non exposée · Art Institute of Chicago

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Les Deux Sœurs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

La Corbeille de pommes, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Casts (Words) [trial proof 3], Jasper Johns, 1976

Jasper Johns

Casts (Words) [trial proof 3], 1976

Non exposée · National Gallery of Art

Torso [trial proof], Jasper Johns, 1976

Jasper Johns

Torso [trial proof], 1976

Non exposée · National Gallery of Art

Torse [trial proof 1], Jasper Johns, 1976

Jasper Johns

Torse [trial proof 1], 1976

Non exposée · National Gallery of Art

Casts (Words) [trial proof 4], Jasper Johns, 1976

Jasper Johns

Casts (Words) [trial proof 4], 1976

Non exposée · National Gallery of Art

Torse [trial proof 2], Jasper Johns, 1976

Jasper Johns

Torse [trial proof 2], 1976

Non exposée · National Gallery of Art

Casts (Words) [trial proof 5], Jasper Johns, 1976

Jasper Johns

Casts (Words) [trial proof 5], 1976

Non exposée · National Gallery of Art

Tourn Mountain, Head Quarters of Washington, Rockland Co., New York, Jasper Francis Cropsey, 1851

Jasper Francis Cropsey

Tourn Mountain, Head Quarters of Washington, Rockland Co., New York, 1851

Non exposée · National Gallery of Art

Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)", Suzuki Harunobu, c. 1766

Suzuki Harunobu

Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Non exposée · Art Institute of Chicago