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  1. Collection/
  2. Museum of Modern Art/
  3. Untitled II
Untitled II, Joseph Beuys, 1956-75
Joseph Beuys, portraitJoseph BeuysAllemagne, 1921–1986

Untitled II

1956-75 · Installation

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 9 jours
Source
Le musée
Sur la cartePage du musée

Notice

1956-75 · à 35 ans
19211986
Numéro d’inventaire
1150.2007.b

Au catalogue

SculptureArt d’après-guerreXXe siècle

Sources

  • Museum of Modern Art
  • Image : Museum of Modern Art — © the artist or rights holder

Pendant ce temps, chez Joseph Beuys

La vie entière
  1. 1945–1960

    First exhibitions: Kleve, Kranenburg, Wuppertal

    In his early years Beuys showed watercolours and sketches at the Kleve Artists Association's annual exhibition in the Villa Koekkoek, had a solo show at the home of Hans and Franz Joseph van der Grinten in Kranenburg, and took part in a show at the Von der Heydt Museum in Wuppertal.

  2. 1951–1954

    Mataré's master class and a shared studio with Erwin Heerich

    In 1951 Mataré accepted Beuys into his master class, where he shared a studio with Erwin Heerich; he kept it until 1954, a year after graduating.

  3. 1955–1957

    Severe depression and recovery with the van der Grintens

    Artistic self-doubt and poverty led Beuys to a physical and psychological crisis and a period of serious depression; he recovered in Kranenburg, at the house of his most important early patrons, the van der Grinten brothers. The episode has since been called his “shamanistic initiation”.

  4. 1958

    A design for the Auschwitz-Birkenau memorial

    In 1958 Beuys took part in the international competition for the Auschwitz-Birkenau memorial; his proposal did not win and was never realised.

Autres œuvres : Joseph Beuys

Toutes les œuvres
Eurasia Siberian Symphony 1963, Joseph Beuys, 1966

Eurasia Siberian Symphony 1963

1966 · Museum of Modern Art

Green Violin (Grüne Geige), Joseph Beuys, Henning Christiansen, 1974

Green Violin (Grüne Geige)

1974 · Museum of Modern Art

Untitled, Joseph Beuys, n.d.

Untitled

n.d. · Non exposée · Museum of Modern Art

Untitled, Joseph Beuys, 1947 and 1970s

Untitled

1947 and 1970s · Non exposée · Museum of Modern Art

Untitled III, Joseph Beuys, 1948-81

Untitled III

1948-81 · Non exposée · Museum of Modern Art

Hind (Hirschkuh), Joseph Beuys, 1948, printed 1973-74

Hind (Hirschkuh)

1948, printed 1973-74 · Non exposée · Museum of Modern Art

Shallows (Wattenmeer), Joseph Beuys, 1949,  printed 1973-74

Shallows (Wattenmeer)

1949, printed 1973-74 · Non exposée · Museum of Modern Art

Untitled V, Joseph Beuys, 1949-82

Untitled V

1949-82 · Non exposée · Museum of Modern Art

Sous le même toit : Museum of Modern Art

Page du musée
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950