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Untitled (Grandassa), Kwame Brathwaite, c. 1960s
Kwame BrathwaiteÉtats-Unis, 1938–2023

Untitled (Grandassa)

c. 1960s · Photograph

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Pas exposée actuellement

Où est « Untitled (Grandassa) » aujourd’hui ? Collection: Art Institute of Chicago, Chicago. Pas exposée actuellement. Vérifié 12 octobre 2026.

Art Institute of Chicago

Chicago, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Numéro d’inventaire
2023.3411

Ce qu’elle montre

African American

Au catalogue

PhotographiesTirage gélatino-argentiqueArt d’après-guerreXXe siècleÉtats-Unis

Sources

Autres œuvres : Kwame Brathwaite

Toutes les œuvres
Untitled (Nomsa Brath with earrings designed by Carolee Prince), Kwame Brathwaite, 1964, printed 2023

Untitled (Nomsa Brath with earrings designed by Carolee Prince)

1964, printed 2023 · Non exposée · National Gallery of Art

Untitled (Charles Peaker Street Speaker, head of ANPM, after Carlos Cooks passed away, on 125th street), Kwame Brathwaite, c. 1968, printed 2023

Untitled (Charles Peaker Street Speaker, head of ANPM, after Carlos Cooks passed away, on 125th street)

c. 1968, printed 2023 · Non exposée · National Gallery of Art

Untitled (Portrait of Manasie Ree Horn with Reels as Necklace), Kwame Brathwaite, c. 1972, printed later

Untitled (Portrait of Manasie Ree Horn with Reels as Necklace)

c. 1972, printed later · Non exposée · National Gallery of Art

Untitled (Photo shoot at a school for one of the many modeling groups who had begun to embrace natural hairstyles in the 1960s), Kwame Brathwaite, c.1966, printed 2018

Untitled (Photo shoot at a school for one of the many modeling groups who had begun to embrace natural hairstyles in the 1960s)

c.1966, printed 2018 · Non exposée · Whitney Museum of American Art

Untitled (Self Portrait), Kwame Brathwaite, 1964, printed 2018

Untitled (Self Portrait)

1964, printed 2018 · Non exposée · Whitney Museum of American Art

Untitled (Sikolo with Carolee Prince Designs), Kwame Brathwaite, 1968, printed 2018

Untitled (Sikolo with Carolee Prince Designs)

1968, printed 2018 · Non exposée · Whitney Museum of American Art

Untitled (Ethel Parks at AJASS Studio photoshoot), Kwame Brathwaite, 1969, printed c. 2018

Untitled (Ethel Parks at AJASS Studio photoshoot)

1969, printed c. 2018 · Non exposée · Art Institute of Chicago

Untitled (AJAS Advertisement), Kwame Brathwaite, 1955/65

Untitled (AJAS Advertisement)

1955/65 · Non exposée · Art Institute of Chicago

Aussi exposées : Art Institute of Chicago

Page du musée
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Les Deux Sœurs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

La Corbeille de pommes, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Sur le même thème · African American

Toutes les œuvres sur ce thème
Plate Number 6. Walking, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 6. Walking, 1887

Non exposée · National Gallery of Art

Plate Number 126. Descending stairs, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 126. Descending stairs, 1887

Non exposée · National Gallery of Art

Nurse Midwife Maude Callen, New Dresses, W. Eugene Smith, 1951

W. Eugene Smith

Nurse Midwife Maude Callen, New Dresses, 1951

Non exposée · National Gallery of Art

Boys, Shady Grove, Alabama, Gordon Parks, 1956, printed later

Gordon Parks

Boys, Shady Grove, Alabama, 1956, printed later

Non exposée · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941

Gordon Parks

Langston Hughes, Chicago, 1941

Non exposée · National Gallery of Art

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), 1943

Non exposée · National Gallery of Art

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), 1943

Non exposée · National Gallery of Art

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), 1943

Non exposée · National Gallery of Art