Untitled (boots), Nan Goldin, c. 1975
Nan Goldin, portraitNan GoldinÉtats-Unis, 1953

Untitled (boots)

c. 1975 · Photograph

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Musées d'Art de Harvard

Cambridge, États-Unis

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Numéro d’inventaire
P2003.120

Au catalogue

Sources

Pendant ce temps, chez Nan Goldin

La vie entière
  1. 1970s

    School of the Museum of Fine Arts, Boston

    She enrolls at the School of the Museum of Fine Arts together with her friend from Satya, David Armstrong; there she meets Philip-Lorca diCorcia and Mark Morrisroe and begins to photograph in color. She graduates in 1977 or 1978: she has worked mostly with Cibachrome prints but has also begun showing slides, and her work of this period is associated with the Boston School of Photography.

  2. 1973

    First solo show in Boston

    The show is built on her photographic journeys among the city's gay and transgender communities, to which her friend David Armstrong introduced her. Among her work of the period is “Ivy wearing a fall, Boston”.

  3. late 1970s

    Move to New York

    After graduating she moves to New York and begins documenting the post-punk new-wave music scene and the city's vibrant post-Stonewall gay subculture of the late 1970s and early 1980s.

  4. late 1970s

    Her subjects take shape

    By the end of the 1970s her circle of subjects takes shape: domestic sketches with her boyfriend Brian, drug-addicted friends, cross-dressers, the New York bohemia. Her themes — sexual assertiveness and confession — are tied to gender, provocation and the new realism.

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