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  1. Collection/
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  3. Untitled #197
Untitled #197, Cindy Sherman, 1989
Cindy Sherman, portraitCindy ShermanÉtats-Unis, 1954

Untitled #197

1989 · Photograph

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 9 jours
Source
Le musée
Sur la cartePage du musée

Notice

1989 · à 35 ans
1954aujourd’hui
Numéro d’inventaire
808.1995.x1-x2

Au catalogue

PhotographiesTirage couleurArt contemporainXXe siècle

Sources

  • Museum of Modern Art
  • Image : Museum of Modern Art — © the artist or rights holder

Pendant ce temps, chez Cindy Sherman

La vie entière
  1. 1987

    Solo exhibition at the Whitney Museum

    The Whitney Museum of American Art in New York gave Sherman a solo exhibition; she has taken part in five Whitney Biennials.

  2. 1990

    “They aren't self-portraits”: The New York Times

    Sherman told The New York Times that she feels anonymous in her work: looking at the pictures she never sees herself, and sometimes she simply disappears.

  3. early 1990s

    Covers and a video for Babes in Toyland

    Sherman worked with the Minneapolis band Babes in Toyland, providing photographs for the covers of the albums Fontanelle and Painkillers and a stage backdrop for their concerts, and acting in the video for “Bruise Violet”.

  4. 1991

    A show at the Kunsthalle Basel; a Billy Bragg song

    The Kunsthalle Basel gave Sherman a solo exhibition, and the British musician Billy Bragg dedicated the song “Cindy of 1000 Lives” to her and her work.

  5. 1991–2005

    A loft on Mercer Street in SoHo

    Sherman lived in a fifth-floor co-op loft at 84 Mercer Street; she later sold it to the actor Hank Azaria and bought two floors of a building overlooking the Hudson in West SoHo — one her apartment, the other her studio and office.

Autres œuvres : Cindy Sherman

Toutes les œuvres
Untitled #86, Cindy Sherman, 1981

Untitled #86

1981 · Art Institute of Chicago

Untitled #90, Cindy Sherman, 1981

Untitled #90

1981 · Art Institute of Chicago

Untitled #96, Cindy Sherman, 1981

Untitled #96

1981 · Art Institute of Chicago

Untitled #93, Cindy Sherman, 1981

Untitled #93

1981 · Art Institute of Chicago

Untitled #87, Cindy Sherman, 1981

Untitled #87

1981 · Art Institute of Chicago

Untitled #92, Cindy Sherman, 1981

Untitled #92

1981 · Art Institute of Chicago

Untitled, Cindy Sherman, 1975

Untitled

1975 · Non exposée · National Gallery of Art

Untitled, Cindy Sherman, 1975

Untitled

1975 · Non exposée · Museum of Modern Art

Sous le même toit : Museum of Modern Art

Page du musée
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950