Walker EvansÉtats-Unis, 1903–1975Tower, Somerville, Massachusetts
Peut-on la contempler ?
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Museum of Modern Art
New York, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- 100.1933
Au catalogue
Sources
- Museum of Modern Art: the museum's own open data · obtenue il y a 14 jours
- Image : Museum of Modern Art — © the artist or rights holder
Pendant ce temps, chez Walker Evans
La vie entière1930
Three photographs in Hart Crane's “The Bridge”
Three of Evans's photographs, of the Brooklyn Bridge, are published in Hart Crane's poetry book “The Bridge”.
May – June 1933
An assignment in Cuba
In May and June 1933 Evans takes photographs in Cuba on assignment for Lippincott, the publisher of Carleton Beals' “The Crime of Cuba”, a “strident account” of the dictatorship of Gerardo Machado. He documents street life, the presence of police, beggars and dockworkers in rags, and other waterfront scenes; 31 of his photographs will appear in Beals' book.
May – June 1933
Drinking with Hemingway in Cuba
In Cuba Evans drinks nightly with Ernest Hemingway, who lends him money to extend his two-week stay by an additional week. Fearing that his photographs might be deemed critical of the government and confiscated, he leaves 46 prints with Hemingway, and helps him acquire photos from newspaper archives documenting the political violence Hemingway describes in “To Have and Have Not” (1937).
