ART WIKI 33 040 en salle

Carte Collection Artistes Musées Expositions Journal

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

Rubriques

Carte
Recherche
Collection
Chefs-d’œuvre
Exposées en ce moment
Artistes

Et aussi

Musées et galeries
Expositions
Journal
D’où viennent les données
Confidentialité et cookies

Accueil Carte Catalogue

Collection
National Gallery of Art
Title from caption on object: “Friendship”

Title from caption on object: “Friendship”, Horst Faas, March 31, 1967

Title from caption on object: “Friendship”

March 31, 1967 · Photograph

Notice

March 31, 1967 · à 34 ans

19332012

Numéro d’inventaire: 2018.177.575

Autres œuvres : Horst Faas

Toutes les œuvres

Sous le même toit : National Gallery of Art

Sur le même thème · Mort

Toutes les œuvres sur ce thème

Horst Faas, portrait

Horst FaasAllemagne, 1933–2012

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié: il y a 9 jours
Dans cet état depuis: 19 août 2026
Source: Le musée

Sur la carte Page du musée

Ce qu’elle montre

Mort War Soldiers Combat Homme Histoire Vietnam Press

Au catalogue

Photographies Tirage gélatino-argentique Art d’après-guerre XXe siècle German

Sources

National Gallery of Art
Image : National Gallery of Art — © the artist or rights holder

Title from caption on object: “Body of a Child...”, Horst Faas, March 19, 1964

Title from caption on object: “Body of a Child...”

March 19, 1964 · Non exposée · National Gallery of Art

Along the Open Road to the DMZ: a military convoy heads along Route One toward the demilitarized zone in South Vietnam from Hue. Route One, the main south-north line of communication between Saigon and the DMZ, is open and passable. During the day, traffic is considered secure between Phan Rang and the DMZ. The only area where Viet Cong roadblocks must be expected is about 60-90 miles northeast of Saigon, Horst Faas, December 1969

Along the Open Road to the DMZ: a military convoy heads along Route One toward the demilitarized zone in South Vietnam from Hue. Route One, the main south-north line of communication between Saigon and the DMZ, is open and passable. During the day, traffic is considered secure between Phan Rang and the DMZ. The only area where Viet Cong roadblocks must be expected is about 60-90 miles northeast of Saigon

December 1969 · Non exposée · Art Institute of Chicago

"Aftermath of Vietcong Massacre", Horst Faas, December 12, 1969

"Aftermath of Vietcong Massacre"

December 12, 1969 · Non exposée · Museum of Modern Art

Meo Hamlet: view of typical Meo Hamlet, at Ban Xon, 65 miles North of Vientiane in Laos. The Hamlet is located on a hilltop in the Central Laotian mountain and its inhabitants have fled further South every year. All able-bodied men and women carry weapons, provided by the Americans. They are prepared to defend against local enemy, but would abandon the village in event of massive attack. A trench surrounds the village which has a communal bunker in the center, Horst Faas, March 2, 1971

Meo Hamlet: view of typical Meo Hamlet, at Ban Xon, 65 miles North of Vientiane in Laos. The Hamlet is located on a hilltop in the Central Laotian mountain and its inhabitants have fled further South every year. All able-bodied men and women carry weapons, provided by the Americans. They are prepared to defend against local enemy, but would abandon the village in event of massive attack. A trench surrounds the village which has a communal bunker in the center

March 2, 1971 · Non exposée · Art Institute of Chicago

Country of Contrasts: this square in Teheran, with tree-lined boulevards and highrise buildings exemplifies modern Iran. Although two-thirds of Iran is still rural, a rapid modernization has been taking place over the past two decades, Horst Faas, September 28, 1971

Country of Contrasts: this square in Teheran, with tree-lined boulevards and highrise buildings exemplifies modern Iran. Although two-thirds of Iran is still rural, a rapid modernization has been taking place over the past two decades

September 28, 1971 · Non exposée · Art Institute of Chicago

Title from caption on object: “The Shipbreakers”, Horst Faas, 1972

Title from caption on object: “The Shipbreakers”

1972 · Non exposée · National Gallery of Art

Resort Town: unusual forms are prefab bungalows, part of a resort community built by Israel at a beach near Sharm el Sheik, Horst Faas, December 30, 1973

Resort Town: unusual forms are prefab bungalows, part of a resort community built by Israel at a beach near Sharm el Sheik

December 30, 1973 · Non exposée · Art Institute of Chicago

Title from caption on object: “New and Old Heavyweight Champion Muhammad Ali...”, Horst Faas, October 30, 1974

Title from caption on object: “New and Old Heavyweight Champion Muhammad Ali...”

October 30, 1974 · Non exposée · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Salomé, Pablo Picasso, 1905, published 1913

Pablo Picasso

Salomé, 1905, published 1913

Non exposée · National Gallery of Art

Dying Horse (Cheval mourant), Pablo Picasso, 1931

Pablo Picasso

Dying Horse (Cheval mourant), 1931

Non exposée · National Gallery of Art

The Death of Harlequin, Pablo Picasso, 1905/1906

Pablo Picasso

The Death of Harlequin, 1905/1906

Non exposée · National Gallery of Art

Dream and Lie of Franco, Pablo Picasso, 1937

Pablo Picasso

Dream and Lie of Franco, 1937

Non exposée · National Gallery of Art

Dog, Andy Warhol, n.d.

Andy Warhol

Dog, n.d.

Non exposée · National Gallery of Art

Dog, Andy Warhol, n.d.

Andy Warhol

Dog, n.d.

Non exposée · National Gallery of Art

Massacre of the Innocents (With the Fir Tree), Marcantonio Raimondi, c. 1511–12

Raphael

Massacre of the Innocents (With the Fir Tree), c. 1511–12

Non exposée · Cleveland Museum of Art

David Slaying Goliath, Ugo da Carpi after Raphael, c. 1520

Raphael

David Slaying Goliath, c. 1520

Non exposée · National Gallery of Art