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  1. Collection/
  2. Whitney Museum of American Art/
  3. (Three Studies: Explorer, Man's Face, and Palm Trees)
(Three Studies: Explorer, Man's Face, and Palm Trees), Edward Hopper, 1899–1906
Edward Hopper, portraitEdward HopperÉtats-Unis, 1882–1967

(Three Studies: Explorer, Man's Face, and Palm Trees)

1899–1906 · Drawing

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Whitney Museum of American Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
avant-hier
Source
Le musée
Sur la cartePage du musée

Notice

1899–1906
18821967
Numéro d’inventaire
70.1560.147a-b

Au catalogue

Dessins et aquarellesPlumeImpressionnismeXIXe siècle

Sources

  • Whitney Museum of American Art
  • Image : Whitney Museum of American Art — © the artist or rights holder

Pendant ce temps, chez Edward Hopper

La vie entière
  1. 22 juillet 1882 – 1910 · Résidence

    Edward Hopper Birthplace and Boyhood Home

  2. 1899

    Resolves to become an artist

    Graduating from Nyack High School in 1899, where he carved wooden models of sailboats and barges and dreamed of becoming a naval architect, Hopper declares that he will be an artist; his parents insist on a commercial course for the sake of a reliable income. His outlook is shaped by Ralph Waldo Emerson, whom he later reads over and over again.

  3. 1899–1905

    The school of Chase and Henri: not the subject, but how you feel about it

    At the New York School of Art and Design, where he spends six years, William Merritt Chase teaches him oil painting and at first Hopper models his style on Chase, Manet and Degas, while sketching from live models proves shocking for the conservatively raised young man. Robert Henri, who teaches the life class, urges his students to “make a stir in the world” and teaches that it is not the subject that counts but what you feel about it.

  4. 1900–1906 · Formation

    Parsons School of Design

  5. 1905

    Meeting Josephine Nivison

    In Robert Henri's classes Hopper meets his future wife, the artist Josephine Nivison; in 1914 both stay at the same boarding house in Ogunquit, but they will grow close only in 1923.

  6. 1905

    A job at an advertising agency: trade-magazine covers

    In 1905 Hopper lands a part-time job at the advertising agency C. C. Phillips and Company, where he designs covers for trade magazines such as the New York Edison Bulletin. He comes to detest illustration but economic necessity keeps him in it until the mid-1920s.

Autres œuvres : Edward Hopper

Toutes les œuvres
Nighthawks, Edward Hopper, 1942

Nighthawks

1942 · Art Institute of Chicago

House by the Railroad, Edward Hopper, 1925

Maison au bord de la voie ferrée

1925 · Museum of Modern Art

Cape Cod Evening, Edward Hopper, 1939

Cape Cod Evening

1939 · National Gallery of Art

Ground Swell, Edward Hopper, 1939

Ground Swell

1939 · National Gallery of Art

Gas, Edward Hopper, 1940

Essence

1940 · Museum of Modern Art

Early Sunday Morning, Edward Hopper, 1930

Tôt un dimanche matin

1930 · Whitney Museum of American Art

Second Story Sunlight, Edward Hopper, 1960

Second Story Sunlight

1960 · Whitney Museum of American Art

Lighthouse Village (also known as Cape Elizabeth), Edward Hopper, 1929

Lighthouse Village (also known as Cape Elizabeth)

1929 · Cleveland Museum of Art

Sous le même toit : Whitney Museum of American Art

Page du musée
Early Sunday Morning, Edward Hopper, 1930

Edward Hopper

Tôt un dimanche matin, 1930

Summer Days, Georgia O'Keeffe, 1936

Georgia O'Keeffe

Summer Days, 1936

Green Coca-Cola Bottles, Andy Warhol, 1962

Andy Warhol

Green Coca-Cola Bottles, 1962

Three Flags, Jasper Johns, 1958

Jasper Johns

Three Flags, 1958

Dempsey and Firpo, George Bellows, 1924

George Bellows

Dempsey and Firpo, 1924

Second Story Sunlight, Edward Hopper, 1960

Edward Hopper

Second Story Sunlight, 1960

My Egypt, Charles Demuth, 1927

Charles Demuth

My Egypt, 1927

The Thinking Ocean, Memo Akten & Katie Hofstadter, 2026

Memo Akten & Katie Hofstadter

The Thinking Ocean, 2026