Thomas Boylston II (1721-1798), John Singleton Copley, c. 1767-1769
John Singleton Copley, portraitJohn Singleton CopleyÉtats-Unis, 1738–1815

Thomas Boylston II (1721-1798)

c. 1767-1769 · Painting

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Où est « Thomas Boylston II (1721-1798) » aujourd’hui ? Collection: Musées d'Art de Harvard, Cambridge. Pas exposée actuellement. Vérifié 29 septembre 2026.

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Cambridge, États-Unis

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À propos du tableau

John Singleton Copley was among the most prominent portraitists in colonial Boston. In 1766, he was commissioned to paint three portraits of the Boylston family, which had amassed a fortune sending enslaved Africans and foreign goods to the Americas. Like many of his Boston portraits, Copley’s likenesses are a blend of fact and fiction. He combined detailed renderings of the sitters’ faces and garments with invented settings to convey the family’s wealth and status.

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Copley portrayed the Boylstons in extravagant imported clothing. Sarah (1696–1774), seen in the portrait nearby, wears a sumptuous satin dress, while her sons are draped in richly textured dressing gowns, or “banyans,” exotic attire that conveyed their cosmopolitan identity and global power. Other elements in the portraits, like the large ledgers and the ship in this portrait of Nicholas (1716–1771), suggest the family’s mercantile identity without showing what—or whom— they traded.

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Numéro d’inventaire
H29

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Dans la vie de John Singleton Copley

La vie entière
  1. 1753–1774 · Lieu de travail

    Boston

  2. 1766

    “A Boy with a Flying Squirrel” at the London exhibition

    The exhibition of 1766 establishes Copley’s fame in England. Joshua Reynolds speaks warmly of the picture, saying that with a proper artistic education Copley could become a master of world stature.

  3. 4 August 1766

    West urges Copley to study in Europe

    By one account, on receiving the picture without the painter’s name West exclaimed that its colouring was worthy of Titian, and he got it into the exhibition; on 4 August he writes to Copley of Reynolds’s interest and advises a visit to Europe of three or four years. In October and November Copley gladly agrees to send more pictures but laments that no portrait worthy of the name of a picture has been brought to Boston within his memory.

  4. 3 September 1766

    Elected to the Society of Artists of Great Britain

    By vote of 3 September 1766, “A Boy with a Flying Squirrel” makes the young Boston painter a Fellow of the Society of Artists of Great Britain.

  5. 17 June 1768

    Explains to West why he is not yet coming to Europe

    Copley writes that he would go only with a very good prospect of doing as well there as at home: his present income of 300 guineas a year is a fair living in America, and his mother and young brother depend on him. West replies on 20 September that he has talked over Copley’s prospects with London artists, who agree that he has nothing to hazard.

  6. 16 novembre 1769

    Married: Susannah Farnum Clarke

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