Samuel Percy1750–1820
Thomas Best (1753-1815)
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Victoria and Albert Museum
Londres, Royaume-Uni
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Les données de collection du musée lui-même
À propos de la sculpture
During the eighteenth and nineteenth centuries, low relief portraits in wax became popular in Britain and they were often exhibited at the Royal Academy, the Society of Artists and elsewhere. Waxes were used in a similar way to prints and medals, in order to disseminate the image of the sitter, or, like miniature paintings or silhouettes as portable mementoes. The waxes were small and portable, and the nature of the material meant that they were extremely naturalistic. Sometimes they were coloured, and extra items added, such as textiles, seed pearls or coloured glass, to increase the life-like appearance of the portrayal.
Thomas Best lived at Park House in Boxley in Kent.
Victoria and Albert Museum
Notice
- Numéro d’inventaire
- A.88-1965
Ce qu’elle montre
Au catalogue
Sources
- Victoria and Albert Museum : les données ouvertes du musée · obtenue il y a 12 jours
- Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
