Edvard MunchNorvège, 1863–1944Theaterprogramm: Peer Gynt
Peut-on la contempler ?
Nous l’ignorons : le musée garde le silence
Albertina
Vienne, Autriche
Le propriétaire est connu. Si elle est exposée aujourd’hui, le musée ne le dit pas, et l’on ne nous a pas appris à deviner.
- Dans cet état depuis
- 27 sept. 2026
- Source
- Les données de collection du musée lui-même
Notice
Sources
- Albertina: the museum's own open data · obtenue il y a 5 jours
- Image : Albertina — Public Domain Mark 1.0
Pendant ce temps, chez Edvard Munch
La vie entière1894
Turn to Copper Engraving
He began engraving on copper on his own, without formal training, working in etching, drypoint, and aquatint, and created many masterpieces in the medium.
1896
Meetings with Gauguin and the Symbolists in Paris
During an important stay in Paris he met Gauguin, Émile Bernard, Maurice Denis, and Symbolist poets, notably Mallarmé. At this time he turned to etching, woodcut, and lithography.
May 1896
Exhibition at the Maison de l'Art Nouveau
Siegfried Bing showed 60 of Munch's works, including "The Kiss," "The Scream," "Madonna," and "The Sick Child." The exhibition introduced the French public to the artist's work.
1898
Beginning of the Affair with Tulla Larsen
An affair began with Tulla (Mathilde) Larsen, a wealthy young Norwegian woman. Initially warm, the relationship in time began to weigh on Munch because of Tulla's ardor and possessiveness.
