ART WIKI 32 963 en salle

Carte Collection Artistes Musées Expositions Journal

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

Rubriques

Carte
Recherche
Collection
Chefs-d’œuvre
Exposées en ce moment
Artistes

Et aussi

Musées et galeries
Expositions
Journal
D’où viennent les données
Confidentialité et cookies

Accueil Carte Catalogue

Collection
National Gallery of Art
The Strawberry Roans

The Strawberry Roans, Attributed to Constantin Guys

The Strawberry Roans

Drawing

Notice

Numéro d’inventaire: 1985.64.97

Autres œuvres : Constantin Guys

Toutes les œuvres

Sous le même toit : National Gallery of Art

Sur le même thème · Travel

Toutes les œuvres sur ce thème

Constantin Guys, portrait

Constantin GuysFrance, 1802–1892

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié: il y a 3 jours
Dans cet état depuis: 19 août 2026
Source: Le musée

Sur la carte Page du musée

Ce qu’elle montre

Travel Carriage

Au catalogue

Dessins et aquarelles Plume French

Sources

National Gallery of Art
Image : National Gallery of Art — Museum open access

Coaching, Constantin Guys, 19th century

Coaching

19th century · Musées d'Art de Harvard

Military Parade, Constantin Guys

Military Parade

Non exposée · National Gallery of Art

Carriage with Driver and Groom: Autumn, Constantin Guys

Carriage with Driver and Groom: Autumn

Non exposée · National Gallery of Art

Cavalier and Two Ladies on Horseback, Constantin Guys

Cavalier and Two Ladies on Horseback

Non exposée · National Gallery of Art

Officers and Courtesans in an Interior, Constantin Guys, 19th century

Officers and Courtesans in an Interior

19th century · Non exposée · National Gallery of Art

An Open Carriage, Constantin Guys

An Open Carriage

Non exposée · National Gallery of Art

The Duchess of Kent's State Carriage, Constantin Guys

The Duchess of Kent's State Carriage

Non exposée · National Gallery of Art

Promenade in the Bois, Constantin Guys

Promenade in the Bois

Non exposée · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

"Neige" (Snow); Itinerary [recto], Paul Gauguin, 1884-1888

Paul Gauguin

"Neige" (Snow); Itinerary [recto], 1884-1888

Non exposée · National Gallery of Art

Country Outing (Partie de campagne), Henri de Toulouse-Lautrec, 1897

Henri de Toulouse-Lautrec

Country Outing (Partie de campagne), 1897

Non exposée · National Gallery of Art

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, Allen Ginsberg, 1972, printed later

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

Non exposée · National Gallery of Art

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, Allen Ginsberg, 1986

Allen Ginsberg

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, 1986

Non exposée · National Gallery of Art

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., Allen Ginsberg, 1947, printed 1990

Allen Ginsberg

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., 1947, printed 1990

Non exposée · National Gallery of Art

Allen Ginsberg

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., 1964, printed 1995

Non exposée · National Gallery of Art

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

Non exposée · National Gallery of Art

Allen Ginsberg

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., 1964, printed 1995

Non exposée · National Gallery of Art