ART WIKI33 040 en salle
CarteCollectionArtistesMuséesExpositionsJournal
Connexion

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

Rubriques

  • Carte
  • Recherche
  • Collection
  • Chefs-d’œuvre
  • Exposées en ce moment
  • Artistes

Et aussi

  • Musées et galeries
  • Expositions
  • Journal
  • D’où viennent les données
  • Confidentialité et cookies
AccueilCarteCatalogue
  1. Collection/
  2. Smithsonian American Art Museum/
  3. The Somnambula
The Somnambula, Randolph Rogers, modeled 1863-1864

The Somnambula

modeled 1863-1864 · Sculpture · 119.8 × 40.2 cm

À propos de la sculpture

In 1855-56, Randolph Rogers first conceived of The Somnambula as a partner piece to his popular statue Nydia. The Somnambula, or "the sleepwalker," relates to Somnus, the Roman god of sleep, but Rogers probably based this figure on Vincenzo Bellini's popular nineteenth-century opera La Sonnambula. The heroine of the opera, Amina, sleepwalks into the room of another man, whom she mistakes for her fiancé Elvino. In a jealous rage, Elvino accuses her of having a lover, who, to no avail, pleads with him that they are not in love, but that she is a "sleepwalker." Elvino realizes his mistake when Amina, lamp in her hand, sleepwalks across a bridge and almost falls, but is awakened and rescued.

Smithsonian American Art Museum

Notice

modeled 1863-1864
18251892
Numéro d’inventaire
1962.11.2

Autres œuvres : Randolph Rogers

Toutes les œuvres

Dans la même salle · Luce Foundation Center, 3rd Floor, 20A, Smithsonian American Art Museum

Page du musée

Sur le même thème · Sleep

Toutes les œuvres sur ce thème
Randolph Rogers, portraitRandolph RogersÉtats-Unis, 1825–1892

Peut-on la contempler ?

Oui, elle reçoit

Smithsonian American Art Museum

Washington, États-Unis

SalleLuce Foundation Center, 3rd Floor, 20A

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 13 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

SleepLiteratureFigure femaleNudityState of beingSomnambula

Au catalogue

SculptureMarbreRéalismeImpressionnismeXIXe siècle

Sources

  • Smithsonian American Art Museum
  • Image : Smithsonian American Art Museum — CC0
Ruth Gleaning, Randolph Rogers, 1850; carved 1855 or 1856

Ruth Gleaning

1850; carved 1855 or 1856 · Metropolitan Museum of Art

Nydia, the Blind Flower Girl of Pompeii, Randolph Rogers, 1853–54; carved 1859

Nydia, the Blind Flower Girl of Pompeii

1853–54; carved 1859 · Metropolitan Museum of Art

Nydia, the Blind Girl of Pompeii, Randolph Rogers, model 1855, carved 1860

Nydia, the Blind Girl of Pompeii

model 1855, carved 1860 · National Gallery of Art

Nydia, the Blind Flower Girl of Pompeii, Randolph Rogers, modeled 1853-1854

Nydia, the Blind Flower Girl of Pompeii

modeled 1853-1854 · Smithsonian American Art Museum

The Truant, Randolph Rogers, 1853

The Truant

1853 · Smithsonian American Art Museum

Nydia, the Blind Flower Girl of Pompeii, Randolph Rogers, modeled 1853-1854; carved 1859

Nydia, the Blind Flower Girl of Pompeii

modeled 1853-1854; carved 1859 · Non exposée · Musées d'Art de Harvard

Nydia, The Blind Flower Girl of Pompeii, Randolph Rogers, modeled 1855–56, carved 1858

Nydia, The Blind Flower Girl of Pompeii

modeled 1855–56, carved 1858 · Non exposée · Art Institute of Chicago

John Adams (1735-1826), Randolph Rogers, 1858-1859

John Adams (1735-1826)

1858-1859 · Non exposée · Musées d'Art de Harvard

Poetry (bust of figure on front facade of New York Public Library, Paul Wayland Bartlett, ca. 1915

Paul Wayland Bartlett

Poetry (bust of figure on front facade of New York Public Library, ca. 1915

Philosophy (bust of figure on front facade of New York Public Library), Paul Wayland Bartlett, modeled ca. 1915

Paul Wayland Bartlett

Philosophy (bust of figure on front facade of New York Public Library), modeled ca. 1915

Bust of Percy Bysshe Shelly, William Ordway Partridge, copyrighted 1899

William Ordway Partridge

Bust of Percy Bysshe Shelly, copyrighted 1899

Tennyson's Princess, William Couper, 1882

William Couper

Tennyson's Princess, 1882

Rip Van Winkle, Frederick MacMonnies, 1876-1880

Frederick MacMonnies

Rip Van Winkle, 1876-1880

Springtime, Jean Baptiste Carpeaux, 1871

Jean-Baptiste Carpeaux

Springtime, 1871

Esmeralda, attributed to Raffaelo Romanelli, ca. 1870-1900

attributed to Raffaelo Romanelli

Esmeralda, ca. 1870-1900

Hiram Powers, Charles Francis Fuller, modeled ca. 1870

Charles Francis Fuller

Hiram Powers, modeled ca. 1870

Te Po (The Long Night), Paul Gauguin, 1894/1895

Paul Gauguin

Te Po (The Long Night), 1894/1895

Non exposée · National Gallery of Art

Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961, Allen Ginsberg, 1961, printed later

Allen Ginsberg

Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961, 1961, printed later

Non exposée · National Gallery of Art

Plate Number 259. Lying on a couch and turning over on side, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 259. Lying on a couch and turning over on side, 1887

Non exposée · National Gallery of Art

Plate Number 263. Getting into bed, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 263. Getting into bed, 1887

Non exposée · National Gallery of Art

Sleeper in a Bar, Weegee, 1939

Weegee

Sleeper in a Bar, 1939

Non exposée · National Gallery of Art

Chicago, Lee Friedlander, 1974

Ernest J. Bellocq

Chicago, 1974

Non exposée · National Gallery of Art

New City, New York, Lee Friedlander, 1971

Ernest J. Bellocq

New City, New York, 1971

Non exposée · National Gallery of Art

Dormir (Sleep), Graciela Iturbide, c. 1970

Graciela Iturbide

Dormir (Sleep), c. 1970

Non exposée · National Gallery of Art