The Smolnoi Monastery, Roger Fenton, 1851-52
Roger Fenton, portraitRoger FentonRoyaume-Uni, 1819–1869

The Smolnoi Monastery

1851-52 · Photograph

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Pas exposée actuellement

Où est « The Smolnoi Monastery » aujourd’hui ? Collection: Art Institute of Chicago, Chicago. Pas exposée actuellement. Vérifié 29 septembre 2026.

Art Institute of Chicago

Chicago, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Source
Le musée

Notice

Numéro d’inventaire
1982.1407

Au catalogue

Sources

Dans la vie de Roger Fenton

La vie entière
  1. 1851

    The Great Exhibition in Hyde Park: discovering photography

    Fenton visits the Great Exhibition in Hyde Park and is impressed by the photography on display; the new technique grips him so keenly that within a year he begins exhibiting his own photographs.

  2. c. 1851 – 1852

    To Paris to learn the waxed paper calotype

    Fenton travels to Paris to learn the waxed paper calotype process, most likely from Gustave Le Gray, who had modified the methods of its inventor, William Henry Fox Talbot.

  3. c. 1852

    Photographing Kiev, Moscow and St Petersburg

    Fenton travels to photograph Kiev, Moscow and St Petersburg, and also photographs views and architecture around Britain.

  4. 1852

    A manifesto for a Photographic Society

    Together with the commercial photographer Antoine Claudet, Fenton publishes a manifesto, “Proposal for the Formation of a Photographic Society”.

  5. 1853

    Founding the London Photographic Society

    Fenton becomes a founder and first secretary of the London Photographic Society, later the Royal Photographic Society under the patronage of Prince Albert.

  6. 1854

    Commissioned to document the Crimean War

    Probably in autumn 1854, powerful friends and patrons — among them Prince Albert and the Duke of Newcastle, Secretary of State for War — urge Fenton to go to the Crimea; the London print publisher Thomas Agnew & Sons becomes his commercial sponsor. The photographs may have been meant to offset the war's unpopularity and to counter the critical reporting of William Howard Russell of The Times: they were to be converted into woodblocks for the less critical Illustrated London News.

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Aussi exposées : Art Institute of Chicago

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