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  1. Collection/
  2. Smithsonian American Art Museum/
  3. The Queen in "Hamlet"
The Queen in "Hamlet", Edwin Austin Abbey, 1895

The Queen in "Hamlet"

1895 · Drawing · 70.8 × 55.6 cm

Notice

1895 · à 43 ans
18521911
Numéro d’inventaire
1973.28.1

Autres œuvres : Edwin Austin Abbey

Toutes les œuvres

Sous le même toit : Smithsonian American Art Museum

Page du musée

Sur le même thème · Royal

Toutes les œuvres sur ce thème
Edwin Austin Abbey, portraitEdwin Austin AbbeyÉtats-Unis, 1852–1911

Peut-on la contempler ?

Inconnu

Smithsonian American Art Museum

Washington, États-Unis

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

RoyalTheaterMeditationFigure femaleClothing and dressState of beingMood (Psychology)Entertainers

Au catalogue

Dessins et aquarellesPastelImpressionnismeXIXe siècle

Sources

  • Smithsonian American Art Museum
  • Image : Smithsonian American Art Museum — CC0
"King Lear," Act I, Scene I, Edwin Austin Abbey, 1898

"King Lear," Act I, Scene I

1898 · Metropolitan Museum of Art

With Pride Upon Her Brow, Edwin Austin Abbey, c. 1878

With Pride Upon Her Brow

c. 1878 · Non exposée · National Gallery of Art

Solitude: Miss Vesta Rollinstall, Edwin Austin Abbey, 1878

Solitude: Miss Vesta Rollinstall

1878 · Non exposée · National Gallery of Art

"Who Is Sylvia? What Is She, That All the Swains Commend Her?", Edwin Austin Abbey, 1896-1899; reworked 1900

"Who Is Sylvia? What Is She, That All the Swains Commend Her?"

1896-1899; reworked 1900 · Non exposée · National Gallery of Art

A Happy New Year, Edwin Austin Abbey, c. 1900-1910

A Happy New Year

c. 1900-1910 · Non exposée · National Gallery of Art

Een onnoozele inbreker, Edwin Austin Abbey, 1905 - 1924

Een onnoozele inbreker

1905 - 1924 · Rijksmuseum Amsterdam

Austin Dobson Winding Up Edwin Abbey to Draw a Book-Plate for Him, Edwin Austin Abbey, 19th-20th century

Austin Dobson Winding Up Edwin Abbey to Draw a Book-Plate for Him

19th-20th century · Non exposée · Musées d'Art de Harvard

Drawing, Edwin Austin Abbey, 1875-1910

Drawing

1875-1910 · Non exposée · Victoria and Albert Museum

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Portrait of Emmanuel Rio, Albert Schindler, 1836

Albert Schindler

Portrait of Emmanuel Rio, 1836

Art Institute of Chicago

Salome with the Head of Saint John the Baptist, Guido Reni, c. 1639–42

Guido Reni

Salome with the Head of Saint John the Baptist, c. 1639–42

Art Institute of Chicago

Face Mask (Ngady Mwaash), Kuba, Late 19th-mid 20th century

Kuba

Face Mask (Ngady Mwaash), Late 19th-mid 20th century

Non exposée · Art Institute of Chicago

Crèche, Neapolitan, 1725–75, with later additions

Neapolitan

Crèche, 1725–75, with later additions

Non exposée · Art Institute of Chicago

The Princesses, Adolphe Joseph Thomas Monticelli, c. 1870

Adolphe Joseph Thomas Monticelli

The Princesses, c. 1870

Non exposée · Art Institute of Chicago

Bireno and Olimpia, Ferdinando Tacca, 1640/50

Ferdinando Tacca

Bireno and Olimpia, 1640/50

Art Institute of Chicago

Profile Bust of the Prince of Condé, Follower of Antoine Coysevox, c. 1685

Follower of Antoine Coysevox

Profile Bust of the Prince of Condé, c. 1685

Non exposée · Art Institute of Chicago

Polycrates' Crucifixion, Salvator Rosa, 1664

Salvator Rosa

Polycrates' Crucifixion, 1664

Art Institute of Chicago