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The Piazza San Marco, Rudolf von Alt, 1874
Rudolf von Alt, portraitRudolf von AltAutriche, 1812–1905

The Piazza San Marco

1874 · Drawing

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Pas exposée actuellement

Où est « The Piazza San Marco » aujourd’hui ? Collection: National Gallery of Art, Washington. Pas exposée actuellement. Vérifié 29 septembre 2026.

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Le musée
Sur la cartePage du musée

Notice

Numéro d’inventaire
2003.34.1

Ce qu’elle montre

Italie

Au catalogue

Dessins et aquarellesAquarelleRéalismeImpressionnismeXIXe siècleAustrian

Sources

Autres œuvres : Rudolf von Alt

Toutes les œuvres
Belvedere Palace, Vienna, Attributed to Rudolf von Alt

Belvedere Palace, Vienna

Non exposée · National Gallery of Art

Porträtstudie eines Jägers im Dreiviertelprofil (?), Rudolf von Alt

Porträtstudie eines Jägers im Dreiviertelprofil (?)

Albertina

Am Hof in Wien mit Kirche und Mariensäule, Rudolf von Alt

Am Hof in Wien mit Kirche und Mariensäule

Albertina

Blick auf das Gartenparterre in Schönbrunn mit der Gloriette im Hintergrund; im mittleren Hintergrund Skizze zweier Frauen, Rudolf von Alt

Blick auf das Gartenparterre in Schönbrunn mit der Gloriette im Hintergrund; im mittleren Hintergrund Skizze zweier Frauen

Albertina

Malrequisiten Rudolf von Alts, Rudolf von Alt

Malrequisiten Rudolf von Alts

Albertina

Pferdegespann, Rudolf von Alt

Pferdegespann

Albertina

Der innere Burghof, Rudolf von Alt

Der innere Burghof

Albertina

Fragmente von Figurenstudien, Rudolf von Alt

Fragmente von Figurenstudien

Albertina

Aussi exposées : National Gallery of Art

Page du musée
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sur le même thème · Italie

Toutes les œuvres sur ce thème
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

Non exposée · National Gallery of Art

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Non exposée · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Non exposée · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Non exposée · National Gallery of Art

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Non exposée · National Gallery of Art