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  1. Collection/
  2. Victoria and Albert Museum/
  3. The Penitent Magdalen
The Penitent Magdalen, Titian, 17th century
Titian, portraitTitianItalie, 1490–1576

The Penitent Magdalen

17th century · Oil painting · 129.5 × 101.5 cm

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 12 jours
Dans cet état depuis
25 sept. 2026
Source
Les données de collection du musée lui-même
Sur la cartePage du musée

À propos du tableau

Titian (ca.1485/90-1576) was a Venetian painter, draughtsman and printmaker who excelled in all genres of painting including religious subjects, portraits, allegories and scenes from Classical mythology and history. A shift is visible from his early to his later works which move from the 15th-century tradition of meticulous finish and the use of bright local colours to the 16th century adoption of a broader technique, with less defined outlines and mutually related colours. Although based in Venice throughout his professional life, his many commissions for royal and noble patrons, notably for Philip II of Spain, contributed considerably to the spread of his fame. Titian's work had a formative influence on the major European painters of the 17th century, including Rubens and Velázquez.

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Titian and his workshop represented the penitent Magdalen in the desert, with her long auburn hair scarcely hiding her nakedness, on many occasions throughout his career from about 1535 onwards. The Magdalen is generally identified with the penitent harlot described in Luke (7:36 ff) who wept tears and wetted Christ's feet which she then wiped with her hair, kissed and anointed. One legend describes her as retreating into a grotto at Sainte-Baume in France as suggested by the cave in Dyce.42.

Titian's Magdalens became widely known early on through engravings by Domenico Tibaldi (ca. 1560-75) and Cornelis Cort (1566), good impressions of which are in the British Museum. The Magdalen in Dyce.42 is depicted with the same physiognomy and executed in a similar style to Titian's works but with differences in the pose, attributes and landscape. It is worth noting that none of Titian's versions depict a scourge whose inclusion in Dyce.42 underlines the Saint's repentant nature, suggesting that the patron for, or original location of, this work may have been a penitent community.

Victoria and Albert Museum

Notice

Numéro d’inventaire
DYCE.42

Ce qu’elle montre

PenitenceLivreCrossScourgesPotsMary Magdalen (Magdalene)Jesus Christ

Au catalogue

PeinturesHuilePeinture italiennePeinture vénitienneItalian SchoolItalie

Sources

  • Victoria and Albert Museum : les données ouvertes du musée · obtenue il y a 12 jours
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London

Autres œuvres : Titian

Toutes les œuvres
Venus and Adonis, Titian, 1550s

Venus and Adonis

1550s · Metropolitan Museum of Art

Filippo Archinto (born about 1500, died 1558), Archbishop of Milan, Titian, mid-1550s

Filippo Archinto (born about 1500, died 1558), Archbishop of Milan

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La Mise au tombeau ou Le Transport du Christ vers le tombeau, Titien, 1e quart du XVIe siècle (1500 - 1525)

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Les Pèlerins d'Emmaüs, Titien, XVIe siècle (1500 - 1600)

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XVIe siècle (1500 - 1600) · Musée du Louvre

Saint Jérôme pénitent, Titien, XVIe siècle (1500 - 1600)

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XVIe siècle (1500 - 1600) · Musée du Louvre

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