George BellowsÉtats-Unis, 1882–1925The Model, First Stone
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Cleveland Museum of Art
Cleveland, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- 1937.470
Au catalogue
Sources
- Cleveland Museum of Art: the museum's own open data · obtenue il y a 6 jours
- Image : Cleveland Museum of Art — Museum open access
Pendant ce temps, chez George Bellows
La vie entière23 avril 1915
Daughter born: Jean Bellows
1916
A lithography press in his studio
He installs a lithography press in his studio and makes a significant contribution to establishing lithography as a fine art in the United States.
1918
The quarrel with Pennell: who may paint a war
The artist Joseph Pennell argues that, since Bellows did not witness the events he painted, he has no right to paint them; Bellows replies that he had not known Leonardo da Vinci “had a ticket to paint the Last Supper”.
1919
Teaches at the Art Institute of Chicago
In 1919 he teaches at the Art Institute of Chicago.
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