Otto DixAllemagne, 1891–1969The Madam
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Art Institute of Chicago
Chicago, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- 1962.777
Au catalogue
Sources
- Art Institute of Chicago
- Image : Art Institute of Chicago — © the artist or rights holder
Pendant ce temps, chez Otto Dix
La vie entière1920s
A ruthless chronicle of Weimar Germany
Like Grosz, Dix is extremely critical of contemporary German society, unsparingly depicting prostitution, violence, old age and death and often dwelling on Lustmord, or sexualized murder. His legless and disfigured veterans, a common sight on Berlin's streets in the 1920s, reveal the ugly side of war and the forgotten status of these men in German society.
1 février 1923
Married: Martha Dix
14 juin 1923
Daughter born: Nelly Dix
1924
Joining the Berlin Secession
In 1924 Dix joins the Berlin Secession.
1925
The Trench scandal: Adenauer cancels the purchase
The Trench causes such a furor that the Wallraf-Richartz Museum hides the painting behind a curtain; in 1925 the then-mayor of Cologne, Konrad Adenauer, cancels the purchase of the painting and forces the museum's director to resign.
1925
The Neue Sachlichkeit exhibition in Mannheim
Dix contributes to the Neue Sachlichkeit exhibition in Mannheim, which also features works by George Grosz, Max Beckmann, Heinrich Maria Davringhausen, Karl Hubbuch, Rudolf Schlichter, Georg Scholz and many others.
