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  1. Collection/
  2. Smithsonian American Art Museum/
  3. The Lord is Risen
The Lord is Risen, Anna K. Weaver, 1877

The Lord is Risen

1877 · Photography · 20.3 × 50.2 cm

Notice

Numéro d’inventaire
2023.14

Autres œuvres : Anna K. Weaver

Toutes les œuvres

Sous le même toit : Smithsonian American Art Museum

Page du musée

Sur le même thème · Cross

Toutes les œuvres sur ce thème
AAnna K. WeaverÉtats-Unis

Peut-on la contempler ?

Inconnu

Smithsonian American Art Museum

Washington, États-Unis

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

CrossReligionBible, N.T.Jesus ChristEmblems

Au catalogue

PhotographiesTirage sur papier albuminéRéalismeImpressionnismeXIXe siècle

Sources

  • Smithsonian American Art Museum
  • Image : Smithsonian American Art Museum — CC0
Cast thy Anchor in Heaven, Anna K. Weaver, n.d.

Cast thy Anchor in Heaven

n.d. · Smithsonian American Art Museum

No Cross, No Crown, Anna K. Weaver, 1874

No Cross, No Crown

1874 · Non exposée · National Gallery of Art

No Cross, No Crown, Anna K. Weaver, 1874

No Cross, No Crown

1874 · Smithsonian American Art Museum

The Lord Will Provide, Anna K. Weaver, 1877

The Lord Will Provide

1877 · Smithsonian American Art Museum

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934

Poet Gregory Corso addressing cross atop the Grey Nuns’ Orphanage grotto Kerouac immortalized in book 4 Chapter 1, _Doctor Sax_, a “gigantic pyramid of steps upon which the Cross itself poked phallically up with its poor burden the Son of Man all skewered across it in his Agony and fright – undoubtedly this statue moved in the night.” Lowell, Massachusetts, March 17, 1986., Allen Ginsberg, 1986, printed 1992

Allen Ginsberg

Poet Gregory Corso addressing cross atop the Grey Nuns’ Orphanage grotto Kerouac immortalized in book 4 Chapter 1, _Doctor Sax_, a “gigantic pyramid of steps upon which the Cross itself poked phallically up with its poor burden the Son of Man all skewered across it in his Agony and fright – undoubtedly this statue moved in the night.” Lowell, Massachusetts, March 17, 1986., 1986, printed 1992

Non exposée · National Gallery of Art

Honfleur: Calvary, Camille Corot, ca. 1830

Camille Corot

Honfleur: Calvary, ca. 1830

Metropolitan Museum of Art

The Crucifixion, Bartolomé Estebán Murillo, ca. 1675

Bartolomé Esteban Murillo

The Crucifixion, ca. 1675

Metropolitan Museum of Art

Washington, D.C. Sitting beneath the emblem of the crucifixion of Jesus on Calvary. Two members of the St. Martin's Spiritual Church listen and pray., Gordon Parks, August 1942, printed later

Gordon Parks

Washington, D.C. Sitting beneath the emblem of the crucifixion of Jesus on Calvary. Two members of the St. Martin's Spiritual Church listen and pray., August 1942, printed later

Non exposée · National Gallery of Art

Peruvian Peddler, Gordon Parks, 1960

Gordon Parks

Peruvian Peddler, 1960

Non exposée · National Gallery of Art

Salvator Mundi, Hans Memling, 1480–85

Hans Memling

Salvator Mundi, 1480–85

Metropolitan Museum of Art

The Vocation of Saint Aloysius (Luigi) Gonzaga, Guercino, ca. 1650

Giovanni Francesco Barbieri, called Guercino

The Vocation of Saint Aloysius (Luigi) Gonzaga, ca. 1650

Metropolitan Museum of Art

La Salle Erecting a Cross and Taking Possession of the Land.  March 25, 1682, George Catlin, 1847/1848

George Catlin

La Salle Erecting a Cross and Taking Possession of the Land. March 25, 1682, 1847/1848

Non exposée · National Gallery of Art