Mary CassattÉtats-Unis, 1844–1926The Lamp
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Cleveland Museum of Art
Cleveland, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
À propos de l’œuvre
The theme of a bourgeois woman "at home," coiffed and dressed to greet visitors, was a familiar one in Cassatt’s work, utilized in compositions such as Mimi as a Brunette. The position of the model as seen from behind may reflect the consideration of the nape of a woman’s neck as the ultimate symbol of beauty and eroticism in Japan.
Cleveland Museum of Art
Notice
- Numéro d’inventaire
- 1941.73
Au catalogue
Sources
- Cleveland Museum of Art
- Image : Wikimedia Commons — CC0
Pendant ce temps, chez Mary Cassatt
La vie entière1890s
Mentor to young Americans
The 1890s are the busiest and most creative period of Mary’s life: young American artists seek her advice and support, and she introduces Lucy A. Bacon to Camille Pissarro.
1891
Bertha Palmer commissions a mural
Chicago socialite Bertha Palmer asks Mary to paint a 12 × 58 ft mural on “Modern Woman” for the Women’s Building at the World’s Columbian Exposition of 1893. Palmer thought Cassatt an American treasure and could think of no one better.
1891
Colour prints inspired by Japanese woodcuts
Mary exhibits a series of highly original colour drypoints and aquatints, among them “Woman Bathing” and “The Coiffure”, inspired by the Japanese masters shown in Paris the year before. She was drawn to the simplicity and clarity of Japanese design and its skilful use of blocks of colour.
