ART WIKI
The Honest Model, Pierre-Antoine Baudouin, 1769
Pierre-Antoine BaudouinFrance, 1723–1769

The Honest Model

1769 · Drawing

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Pas exposée actuellement

Où est « The Honest Model » aujourd’hui ? Collection: National Gallery of Art, Washington. Pas exposée actuellement. Vérifié 29 septembre 2026.

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Le musée
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Notice

Numéro d’inventaire
1983.100.1

Ce qu’elle montre

PaintersArtModel

Au catalogue

Dessins et aquarellesGouacheRococoNéoclassicismeXVIIIe siècleFrench

Sources

Autres œuvres : Pierre-Antoine Baudouin

Toutes les œuvres
La nuit, Emmanuel Jean Nepomucène de Ghendt after Pierre-Antoine Baudouin

La nuit

Non exposée · National Gallery of Art

Le Goûter, Louis-Marin Bonnet after Pierre-Antoine Baudouin

Le Goûter

Non exposée · National Gallery of Art

Le danger du tete-a-tete, Jean-Baptiste Blaise Simonet after Pierre-Antoine Baudouin

Le danger du tete-a-tete

Non exposée · National Gallery of Art

Rose et Colas, Jean-Baptiste Blaise Simonet after Pierre-Antoine Baudouin

Rose et Colas

Non exposée · National Gallery of Art

Rose et Colas, Jean-Baptiste Blaise Simonet after Pierre-Antoine Baudouin

Rose et Colas

Non exposée · National Gallery of Art

Le bain (The Bath), Nicolas François Regnault after Pierre-Antoine Baudouin

Le bain (The Bath)

Non exposée · National Gallery of Art

Le fruit de l'amour secret, François Voyez after Pierre-Antoine Baudouin

Le fruit de l'amour secret

Non exposée · National Gallery of Art

Le soir, Emmanuel Jean Nepomucène de Ghendt after Pierre-Antoine Baudouin

Le soir

Non exposée · National Gallery of Art

Aussi exposées : National Gallery of Art

Page du musée
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sur le même thème · Painters

Toutes les œuvres sur ce thème
Rembrandt, Rembrandt, 1771

Rembrandt van Rijn

Rembrandt, 1771

Musée Herzog Anton Ulrich

Rembrandt, Rembrandt, 1771

Rembrandt van Rijn

Rembrandt, 1771

Musée Herzog Anton Ulrich

Rembrandt, Rembrandt, 1771

Rembrandt van Rijn

Rembrandt, 1771

Musée Herzog Anton Ulrich

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", Allen Ginsberg, 1985

Allen Ginsberg

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", 1985

Non exposée · National Gallery of Art

Larry Rivers with his portrait of poet John Ashbery’s poem “Pyrography” (1977), his studio Southhampton L. I. July 7, 1985. He worked out with weightlift instructor too that day, as well as new styrofoam 3-D painting., Allen Ginsberg, 1985

Allen Ginsberg

Larry Rivers with his portrait of poet John Ashbery’s poem “Pyrography” (1977), his studio Southhampton L. I. July 7, 1985. He worked out with weightlift instructor too that day, as well as new styrofoam 3-D painting., 1985

Non exposée · National Gallery of Art

Francesco Clemente taking a break from painting my portrait in oil, his first from life model, here working on background of imaginary Afric head, his studio Broadway & Great Jones Street. We'd done several illuminated books together (notably _White Shroud_ 1984) & he'd published my Blake discourse "Your Reason & Blake's System" in his Palm-sized Hanuman Editions. Manhattan December 14, 1989., Allen Ginsberg, 1989, printed 1995

Allen Ginsberg

Francesco Clemente taking a break from painting my portrait in oil, his first from life model, here working on background of imaginary Afric head, his studio Broadway & Great Jones Street. We'd done several illuminated books together (notably _White Shroud_ 1984) & he'd published my Blake discourse "Your Reason & Blake's System" in his Palm-sized Hanuman Editions. Manhattan December 14, 1989., 1989, printed 1995

Non exposée · National Gallery of Art

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, Allen Ginsberg, 1972, printed later

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

Non exposée · National Gallery of Art

Trieste Cafe corner Grant & Vallejo-- Neeli Cherkovski & his friend Dr. Jesse Cabrera, Gregory Corso holding son Nile, mother Kaye MacDonough behind them-- Painter daubing Trieste window- interior, morning haunt of poets & North Beach Bohemians to this day March 16, 1985., Allen Ginsberg, 1985, printed 1991

Allen Ginsberg

Trieste Cafe corner Grant & Vallejo-- Neeli Cherkovski & his friend Dr. Jesse Cabrera, Gregory Corso holding son Nile, mother Kaye MacDonough behind them-- Painter daubing Trieste window- interior, morning haunt of poets & North Beach Bohemians to this day March 16, 1985., 1985, printed 1991

Non exposée · National Gallery of Art