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  1. Collection/
  2. Victoria and Albert Museum/
  3. The Entombment
The Entombment, Pedro Moreto, ca. 1555
PPedro Moreto

The Entombment

ca. 1555 · Relief · 19.7 × 23.8 cm

À propos de la sculpture

Alabaster and Solnhofen stone are relatively soft materials, which can be easily carved with a knife. Marble, on the other hand, is a hard, fine-grained, crystalline stone, which has to be carved with chisels and a mallet. All can be polished with fine abrasive powders, with marble, in particular, taking a high polish. In Spain sculptors used alabaster from about 1300 onwards. The material came mainly from regional quarries.

The composition is based on an etching by the Italian artist Parmigianino (1503-1540). Italian sources were used relatively frequently in Spanish sculpture, particularly in the sixteenth and seventeenth century. This relief could have been part of a predella of a small altarpiece, or it may have been a small devotional piece in its own right.

Victoria and Albert Museum

Notice

Numéro d’inventaire
A.2-1965

Dans la même salle · Sculpture, Room 111, The Gilbert Bayes Gallery, Victoria and Albert Museum

Page du musée

Sur le même thème · Jesus Christ

Toutes les œuvres sur ce thème

Peut-on la contempler ?

Oui, elle reçoit

Victoria and Albert Museum

Londres, Royaume-Uni

SalleSculpture, Room 111, The Gilbert Bayes Gallery

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 13 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

Jesus ChristMary Magdalene (Saint)John (Saint John the Evangelist)The Entombment

Au catalogue

SculpturePierreRenaissanceXVIe siècleZaragoza

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Echoes of Amphora: Column Vessel I/20, Eleanor Lakelin, 2020

Eleanor Lakelin

Echoes of Amphora: Column Vessel I/20, 2020

Gladiators: Hector and Ajax (Combat), Leon Underwood, 1963

Leon Underwood

Gladiators: Hector and Ajax (Combat), 1963

Plaque, René Jules Lalique, 1937

René Lalique

Plaque, 1937

The Lure of the Pan Pipes, Gilbert Bayes, 1932

Gilbert Bayes

The Lure of the Pan Pipes, 1932

The Lure of the Pan Pipes, Gilbert Bayes, 1932

Gilbert Bayes

The Lure of the Pan Pipes, 1932

Emmeline Pankhurst, Arthur George Walker, ca. 1929

Arthur George Walker

Emmeline Pankhurst, ca. 1929

The Duchesse de Choiseul, Auguste Rodin, 1908

Auguste Rodin

The Duchesse de Choiseul, 1908

St Elizabeth, George James Frampton, 1902

George James Frampton

St Elizabeth, 1902

The Last Supper, Raphael Morghen, after Leonardo da Vinci, 1800

Leonardo da Vinci

The Last Supper, 1800

Non exposée · National Gallery of Art

Untitled, Jasper Johns, 1999

Jasper Johns

Untitled, 1999

Non exposée · National Gallery of Art

Soapbox Orator, Harlem, New York, Gordon Parks, 1952

Gordon Parks

Soapbox Orator, Harlem, New York, 1952

Non exposée · National Gallery of Art

Last Supper, New York, André Kertész, 1978, printed 1981

André Kertész

Last Supper, New York, 1978, printed 1981

Non exposée · National Gallery of Art

Cristo, Tlacochahuaya, Oaxaca, Paul Strand, 1933, printed 1940

Paul Strand

Cristo, Tlacochahuaya, Oaxaca, 1933, printed 1940

Non exposée · National Gallery of Art

Cristo with Thorns, Huexotla, Paul Strand, 1933, printed 1940

Paul Strand

Cristo with Thorns, Huexotla, 1933, printed 1940

Non exposée · National Gallery of Art

Calvario, Patzcuaro, Paul Strand, 1933, printed 1940

Paul Strand

Calvario, Patzcuaro, 1933, printed 1940

Non exposée · National Gallery of Art

Cristo, Oaxaca, Paul Strand, 1933, printed 1940

Paul Strand

Cristo, Oaxaca, 1933, printed 1940

Non exposée · National Gallery of Art