The End (Ende), Käthe Kollwitz, 1897
Käthe Kollwitz, portraitKäthe KollwitzAllemagne, 1867–1945

The End (Ende)

1897 · Print

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Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Source
Le musée

Notice

Numéro d’inventaire
1943.3.5307

Ce qu’elle montre

Au catalogue

Sources

Pendant ce temps, chez Käthe Kollwitz

La vie entière
  1. 1892–1896

    Hauptmann’s “The Weavers” inspires a new cycle

    Between the births of her sons Hans and Peter she saw Gerhart Hauptmann’s play The Weavers, about the failed revolt of the Silesian weavers in Langenbielau in 1844. It inspired her to drop a series of etchings she had planned to illustrate Émile Zola’s Germinal and to produce a cycle on the weavers instead.

  2. 1896

    Birth of her son Peter

    In 1896 her younger son, Peter, was born; he was killed at the front in 1914.

  3. 6 février 1896

    Son born: Peter Kollwitz

  4. 1898

    “The Weavers” at the Great Berlin Art Exhibition

    In 1898 the cycle was shown publicly at the Great Berlin Art Exhibition and was widely acclaimed.

  5. 1898

    The Kaiser refuses a gold medal to a woman

    Adolph Menzel nominated her work for the gold medal of the 1898 Great Berlin Art Exhibition, but Kaiser Wilhelm II withheld his approval, saying that a medal for a woman would be going too far and that orders and medals belonged on the breasts of worthy men.

  6. 1898–1903

    Teaches at the Women’s Art School

    From 1898 to 1903 she taught at the Women’s Art School in Berlin.

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