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  1. Collection/
  2. National Gallery of Art/
  3. The Dirigible
The Dirigible, Alfred Stieglitz, 1910, printed 1929/1934

The Dirigible

1910, printed 1929/1934 · Photograph

Notice

1910, printed 1929/1934
18641946
Numéro d’inventaire
1949.3.304

Pendant ce temps, chez Alfred Stieglitz

La vie entière
  1. January – April 1908

    Rodin and Matisse at 291

    In January 1908 Stieglitz showed drawings by Rodin at his gallery, and in April an exhibition of Matisse, beginning his campaign to introduce the American public to the newest European art.

  2. 1910

    The Albright show and a new round of attacks

    In 1910 the director of the Albright Art Gallery invited Stieglitz to organise a major show of the best contemporary photography, which provoked a new round of attacks: American Photography magazine called the Photo-Secession “a reactionary force of the most dangerous type”. “The reputation, not only of the Photo-Secession, but of photography is at stake,” Stieglitz wrote to the photographer George Seeley.

  3. March – April 1911

    Cézanne watercolours and Picasso drawings at 291

    In March 1911 Stieglitz presented Cézanne's watercolours to the American public, and in April drawings and watercolours by Picasso.

  4. January – May 1916

    Meets Georgia O'Keeffe

    In January 1916 the suffragist Anita Pollitzer showed Stieglitz a set of charcoal drawings by Georgia O'Keeffe, and he decided to exhibit them at 291 without meeting her or asking her permission. In late May O'Keeffe heard of it from a friend and came to the gallery to chastise him, which is how they met; by the summer of 1917 they were writing each other their most private thoughts.

  5. June 1918

    O'Keeffe comes to New York; he leaves his family

Autres œuvres : Alfred Stieglitz

Toutes les œuvres

Sous le même toit : National Gallery of Art

Page du musée

Sur le même thème · Clouds

Toutes les œuvres sur ce thème

In early June 1918 O'Keeffe moved to New York from Texas after Stieglitz promised her a quiet studio. Within a month his wife Emmy came home during one of the first nude photography sessions in the family apartment and told him to stop seeing O'Keeffe or get out; Stieglitz left and immediately found a place in the city where he and O'Keeffe could live together.

  • 15 December 1929

    Opens An American Place

    On December 15, 1929, Stieglitz opened An American Place, the largest gallery he had ever managed, with the first darkroom of his own in the city. For sixteen years he showed his friends Marin, Demuth, Hartley, Dove and Strand there, and O'Keeffe received at least one major exhibition each year.

  • Alfred Stieglitz, portraitAlfred StieglitzÉtats-Unis, 1864–1946

    Peut-on la contempler ?

    Elle ne reçoit pas en ce moment

    National Gallery of Art

    Washington, États-Unis

    Elle appartient à la collection, mais n’est pas présentée en ce moment.

    Vérifié
    il y a 3 jours
    Dans cet état depuis
    19 août 2026
    Source
    Le musée
    Sur la cartePage du musée

    Ce qu’elle montre

    CloudsSkyscapeDirigibleTransportationCiel

    Au catalogue

    PhotographiesTirage gélatino-argentiqueModernismeXXe siècleAmerican

    Sources

    • National Gallery of Art
    • Image : National Gallery of Art — © the artist or rights holder
    The Hand of Man, Alfred Stieglitz, 1902

    The Hand of Man

    1902 · Museum of Modern Art

    Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

    Snapshot—In the New York Central Yards

    1903 · Museum of Modern Art

    The Steerage, Alfred Stieglitz, 1907

    The Steerage

    1907 · Museum of Modern Art

    Old and New New York, Alfred Stieglitz, 1910

    Old and New New York

    1910 · Art Institute of Chicago

    Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

    Washerwomen at Riva del Garda

    1887, printed 1929/1934 · Non exposée · National Gallery of Art

    The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

    The Street Paver

    1893, printed 1929/1934 · Non exposée · National Gallery of Art

    Weary, Alfred Stieglitz, 1890, printed 1929/1934

    Weary

    1890, printed 1929/1934 · Non exposée · National Gallery of Art

    Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

    Stones of Venice, Chioggia

    1887, printed 1929/1934 · Non exposée · National Gallery of Art

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Portrait de Ginevra de' Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Jeune Fille en blanc, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Ferme en Provence, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Helder weer en een zuidelijke wind, Katsushika Hokusai, in or after 1868 - in or before 1912

    Katsushika Hokusai

    Helder weer en een zuidelijke wind, in or after 1868 - in or before 1912

    Rijksmuseum Amsterdam

    Buried with Him by Baptism, Paul Revere, c. 1765

    Paul Revere

    Buried with Him by Baptism, c. 1765

    Non exposée · National Gallery of Art

    Wolk waarin figuren zweven, Gustave Doré, 1842 - 1883

    Gustave Doré

    Wolk waarin figuren zweven, 1842 - 1883

    Rijksmuseum Amsterdam

    Clouds [verso], John Singer Sargent, 1870-1872

    John Singer Sargent

    Clouds [verso], 1870-1872

    Non exposée · National Gallery of Art

    Cloud Study: Stormy Sunset, John Constable, 1821-1822

    John Constable

    Cloud Study: Stormy Sunset, 1821-1822

    Non exposée · National Gallery of Art

    Cloud study, John Constable, 1830–35

    John Constable

    Cloud study, 1830–35

    Metropolitan Museum of Art

    Bryce Canyon National Park during a snowstorm. Utah. USA., Sebastião Salgado, 2010

    Sebastião Salgado

    Bryce Canyon National Park during a snowstorm. Utah. USA., 2010

    Non exposée · National Gallery of Art

    The Zavodovski Island is home to some 750,000 couples of chinstrap penguins (Pygoscelis antarctica) as well as a large colony of macaroni penguins (Eudyptes chrysolophus). South Sandwich Islands., Sebastião Salgado, 2009

    Sebastião Salgado

    The Zavodovski Island is home to some 750,000 couples of chinstrap penguins (Pygoscelis antarctica) as well as a large colony of macaroni penguins (Eudyptes chrysolophus). South Sandwich Islands., 2009

    Non exposée · National Gallery of Art