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The Diligence, Nicolas Toussaint Charlet, c. 1820–23
Nicolas Toussaint Charlet, portraitNicolas Toussaint CharletFrance, 1792–1845

The Diligence

c. 1820–23 · Painting

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Pas exposée actuellement

Où est « The Diligence » aujourd’hui ? Collection: Art Institute of Chicago, Chicago. Pas exposée actuellement. Vérifié 29 septembre 2026.

Art Institute of Chicago

Chicago, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Notice

Numéro d’inventaire
1965.1178

Ce qu’elle montre

TravelBabiesEnfantChienElderlyFurnitureChevalLandscapeLightningHommeRainArbreWeather/seasonsWomen with childrenFemmeYoung people

Au catalogue

PeinturesHuilePeinture françaiseNéoclassicismeRomantismeXIXe siècleFrance

Sources

Autres œuvres : Nicolas Toussaint Charlet

Toutes les œuvres
Le conventionnel Merlin de Thionville (1762-1833) à l'armée du Rhin., Charlet, Nicolas Toussaint, 2e quart du XIXe siècle (1843)

Le conventionnel Merlin de Thionville (1762-1833) à l'armée du Rhin.

2e quart du XIXe siècle (1843) · Musée du Louvre

Battle Scene, Nicolas-Toussaint Charlet

Battle Scene

Non exposée · National Gallery of Art

The Sign Painter (Le Peintre d'Enseignes), Nicolas-Toussaint Charlet

The Sign Painter (Le Peintre d'Enseignes)

Non exposée · National Gallery of Art

L'Aumône, Nicolas-Toussaint Charlet

L'Aumône

Non exposée · National Gallery of Art

SOLDAT DE LA REPUBLIQUE, Nicolas Toussaint Charlet, 18e siècle, 19e siècle

SOLDAT DE LA REPUBLIQUE

18e siècle, 19e siècle · Musée Condé

Ночной дозор, Nicolas Toussaint Charlet, first half of the 19th century

Ночной дозор

first half of the 19th century · Musée des Beaux-Arts Pouchkine

Halte de troupes à l'entrée d'un village, Charlet, Nicolas Toussaint, XIXe siècle (1800 - 1900)

Halte de troupes à l'entrée d'un village

XIXe siècle (1800 - 1900) · Non exposée · Musée du Louvre

Napoléon au soir de Waterloo, Charlet, Nicolas Toussaint, XIXe siècle (1800 - 1900)

Napoléon au soir de Waterloo

XIXe siècle (1800 - 1900) · Non exposée · Musée du Louvre

Aussi exposées : Art Institute of Chicago

Page du musée
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Les Deux Sœurs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

La Corbeille de pommes, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Sur le même thème · Travel

Toutes les œuvres sur ce thème
"Neige" (Snow); Itinerary [recto], Paul Gauguin, 1884-1888

Paul Gauguin

"Neige" (Snow); Itinerary [recto], 1884-1888

Non exposée · National Gallery of Art

Country Outing (Partie de campagne), Henri de Toulouse-Lautrec, 1897

Henri de Toulouse-Lautrec

Country Outing (Partie de campagne), 1897

Non exposée · National Gallery of Art

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, Allen Ginsberg, 1972, printed later

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

Non exposée · National Gallery of Art

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, Allen Ginsberg, 1986

Allen Ginsberg

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, 1986

Non exposée · National Gallery of Art

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., Allen Ginsberg, 1947, printed 1990

Allen Ginsberg

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., 1947, printed 1990

Non exposée · National Gallery of Art

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., Allen Ginsberg, 1964, printed 1995

Allen Ginsberg

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., 1964, printed 1995

Non exposée · National Gallery of Art

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

Non exposée · National Gallery of Art

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., Allen Ginsberg, 1964, printed 1995

Allen Ginsberg

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., 1964, printed 1995

Non exposée · National Gallery of Art