John MartinAngleterre, 1789–1854The Crucifixion
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Victoria and Albert Museum
Londres, Royaume-Uni
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- 844-1888
Ce qu’elle montre
Au catalogue
Sources
- Victoria and Albert Museum
- Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Pendant ce temps, chez John Martin
La vie entière1838
The worst of his depression
Debt and family pressures, including the suicide of his nephew Richard, Jonathan’s son, bring on a depression in Martin that reaches its worst in 1838.
1839
His fortunes recover from 1839
Martin’s fortunes recover, and during the 1840s he exhibits many works, among them “The Eve of the Deluge” (1840).
1841
“Pandemonium” and “The Celestial City” bought by Hick
Following their exhibition at the Royal Academy, “Pandemonium”, a scene from “Paradise Lost”, and “The Celestial City and the River of Bliss” are bought by the engineer Benjamin Hick; after Hick’s death in 1842 both paintings are auctioned in Manchester in February 1843, and “Pandæmonium”, in a frame designed by Martin, can now be seen at the Louvre.
