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The Chariot, Alberto Giacometti, 1950
Alberto Giacometti, portraitAlberto GiacomettiSuisse, 1901–1966

The Chariot

1950 · Sculpture

Peut-on la voir ?

Oui, exposée actuellement

Où est « The Chariot » aujourd’hui ? National Gallery of Art, Salle 407A · Bâtiment est, niveau supérieur, Washington. Oui, exposée actuellement. Vérifié 29 septembre 2026.

National Gallery of Art

Washington, États-Unis

Salle407A · Bâtiment est, niveau supérieur

Ouvert· jusqu’à 17:00

Présentée au public.

Vérifié
Dans cet état depuis
Source
Le musée
Sur la cartePage du musée

Notice

Numéro d’inventaire
1977.47.2

Ce qu’elle montre

TravelChariot

Au catalogue

SculptureBronzeArt d’après-guerreXXe siècleSwiss

Sources

Dans la vie de Alberto Giacometti

La vie entière

  1. 1940s

    La guerre : refuge en Suisse

    Giacometti passe les années de la Seconde Guerre mondiale en Suisse, où il vit à Genève.

  2. 1949

    Married: Annette Giacometti

  3. c. 1949

    Après le mariage, les figures grandissent et s’amincissent

    Après son mariage, ses minuscules sculptures prennent de l’ampleur, mais plus elles grandissent, plus elles s’amincissent ; Annette demeure son principal modèle féminin jusqu’à la fin de sa vie. Sa peinture évolue de même : sans cesse remaniées, les figures semblent solitaires et amincies à l’extrême.

  4. 1951

    Un article de Francis Ponge dans « Cahiers d’Art »

    L’écrivain Francis Ponge consacre à Giacometti un article publié dans la revue parisienne « Cahiers d’Art », où ressort vivement la dimension existentielle de son œuvre. Dans les années d’après-guerre, nombreux sont ceux qui, parmi lesquels Sartre et Genet, voient en Giacometti un éminent artiste existentialiste.

Autres œuvres : Alberto Giacometti

Toutes les œuvres
Spoon Woman, Alberto Giacometti, 1926-27 (cast 1976)

Spoon Woman

1926-27 (cast 1976) · Museum of Modern Art

No More Play, Alberto Giacometti, 1931-1932

No More Play

1931-1932 · National Gallery of Art

The Palace at 4 a.m., Alberto Giacometti, 1932

The Palace at 4 a.m.

1932 · Museum of Modern Art

The Invisible Object (Hands Holding the Void), Alberto Giacometti, model 1934, cast 1935

The Invisible Object (Hands Holding the Void)

model 1934, cast 1935 · National Gallery of Art

Walking Man II, Alberto Giacometti, 1960

Walking Man II

1960 · National Gallery of Art

Tall Figure, III, Alberto Giacometti, 1960

Tall Figure, III

1960 · Museum of Modern Art

Femme Debout I (Standing Woman I), Alberto Giacometti, 1960

Femme Debout I (Standing Woman I)

1960 · J. Paul Getty Museum

Spoon Woman, Alberto Giacometti, 1926–27 (cast 1954)

Spoon Woman

1926–27 (cast 1954) · Art Institute of Chicago

Dans la même salle · EU-407-A, National Gallery of Art

Page du musée
Study of a Dog, Francis Bacon, 1953

Francis Bacon

Study of a Dog, 1953

Self-Portrait, David Alfaro Siqueiros, 1948

David Alfaro Siqueiros

Self-Portrait, 1948

Façades d'immeubles (Building Façades), Jean Dubuffet, 1946

Jean Dubuffet

Façades d'immeubles (Building Façades), 1946

The Argonauts, Max Beckmann, 1949/1950

Max Beckmann

The Argonauts, 1949/1950

The Argonauts [right panel], Max Beckmann, 1949/1950

Max Beckmann

The Argonauts [right panel], 1949/1950

The Argonauts [middle panel], Max Beckmann, 1949/1950

Max Beckmann

The Argonauts [middle panel], 1949/1950

The Argonauts [left panel], Max Beckmann, 1949/1950

Max Beckmann

The Argonauts [left panel], 1949/1950

Still Life, Giorgio Morandi, c. 1955

Giorgio Morandi

Still Life, c. 1955

Sur le même thème · Travel

Toutes les œuvres sur ce thème
"Neige" (Snow); Itinerary [recto], Paul Gauguin, 1884-1888

Paul Gauguin

"Neige" (Snow); Itinerary [recto], 1884-1888

Non exposée · National Gallery of Art

Country Outing (Partie de campagne), Henri de Toulouse-Lautrec, 1897

Henri de Toulouse-Lautrec

Country Outing (Partie de campagne), 1897

Non exposée · National Gallery of Art

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, Allen Ginsberg, 1972, printed later

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

Non exposée · National Gallery of Art

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, Allen Ginsberg, 1986

Allen Ginsberg

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, 1986

Non exposée · National Gallery of Art

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., Allen Ginsberg, 1947, printed 1990

Allen Ginsberg

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., 1947, printed 1990

Non exposée · National Gallery of Art

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., Allen Ginsberg, 1964, printed 1995

Allen Ginsberg

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., 1964, printed 1995

Non exposée · National Gallery of Art

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

Non exposée · National Gallery of Art

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., Allen Ginsberg, 1964, printed 1995

Allen Ginsberg

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., 1964, printed 1995

Non exposée · National Gallery of Art