William HogarthAngleterre, 1697–1764The Bench
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
National Gallery of Art
Washington, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- avant-hier
- Dans cet état depuis
- 19 août 2026
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- 1944.5.105
What it shows
Au catalogue
Sources
- National Gallery of Art: the museum's own open data · obtenue il y a 5 jours
- Image : National Gallery of Art — Museum open access
Pendant ce temps, chez William Hogarth
La vie entière1712–1764 · Lieu de travail
London
1757
Serjeant Painter to the King
In 1757 George II appointed Hogarth Serjeant Painter to the King, successor to James Thornhill, who had held the post before him.
September – November 1759
Reynolds’s essays against Hogarth
In three essays for the journal “The Idler”, Joshua Reynolds, later the founder of the Royal Academy, was, according to the art historian David Bindman, aiming at Hogarth; in essay no. 79 he questions Hogarth’s notion of the imitation of nature, favouring the “grand style”. Horace Walpole also criticised Hogarth as a history painter, though he found value in his satirical prints.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
