The Ballet from "Robert le Diable", Edgar Degas, 1871
Edgar Degas, portraitEdgar DegasFrance, 1834–1917

The Ballet from "Robert le Diable"

1871 · Painting

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Où est « The Ballet from "Robert le Diable" » aujourd’hui ? Metropolitan Museum of Art, Salle 815, New York. Oui, exposée actuellement. Vérifié 29 septembre 2026.

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À propos du tableau

Le Ballet de « Robert le Diable » (1871) est le premier de deux tableaux peints par Edgar Degas en 1871 et 1876 sur ce thème. Il mesure 66 × 54,3 cm. Il est conservé au Metropolitan Museum of Art de New York aux États-Unis.

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Notice

Numéro d’inventaire
29.100.552

Ce qu’elle montre

Au catalogue

Sources

Dans la vie de Edgar Degas

La vie entière
  1. late 1860s

    The turn to modern life: racecourses, milliners, laundresses

    By the late 1860s Degas had moved from history painting to an original observation of contemporary life: racecourse scenes let him paint horses and riders in a modern setting, and then he turned to women at work — milliners and laundresses.

  2. late 1860s

    Begins modelling in wax

    Degas modelled small wax figures of dancers, bathers and jockeys for himself, in place of studies. He never worked in bronze or stone; he valued wax for its changeability, and his sculptor friend Bartholomé encouraged him.

  3. 1870

    A volunteer in the war; a flaw in his eyesight

    When the Franco-Prussian War broke out Degas volunteered; at the first shooting practice it turned out that he saw poorly with his right eye. It was the first sign of the macular degeneration that left him almost blind at the end of his life; he was transferred to the artillery and served there to the end of the war.

  4. early 1870s

    Meets Durand-Ruel

    Degas met the dealer Durand-Ruel, later the most prominent of the trusted dealers with whom he planned his strategy at auctions.

  5. octobre 1872 – mars 1873 · Résidence

    New Orleans

  6. 1873–1874

    His brother's debts: he sells his house and collection

    After his father's death Degas learned that his brother René had run up enormous business debts. To save the family's reputation he sold his house and an inherited art collection and for the first time in his life depended on sales of his own work.

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Dans la même salle · Gallery 815, Metropolitan Museum of Art

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