Kitagawa UtamaroJapon, 1754–1806Takashima Ohisa
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Oui, exposée actuellement
Où est « Takashima Ohisa » aujourd’hui ? Art Institute of Chicago, Salle 107, Chicago. Oui, exposée actuellement. Vérifié 29 septembre 2026.
Chicago, États-Unis
Fermé· ouvre demain à 11:00
Présentée au public.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- 1928.1038
Au catalogue
Sources
- Art Institute of Chicago
- Image : Art Institute of Chicago — CC0
Dans la vie de Kitagawa Utamaro
La vie entière1790–1801
Tightening censorship: seals on prints
From 1790 prints can be sold only with a censor's seal of approval; over the following decades censorship grows stricter, and violators can receive harsh punishments. From 1799 even preliminary drafts need approval, and in 1801 the works of a group of Utagawa-school offenders, including Toyokuni, are repressed.
c. 1791
Giving up book prints for half-length portraits of beauties
Around 1791 Utamaro gives up designing prints for books and concentrates on single portraits of women shown half-length, rather than the group scenes favoured by other ukiyo-e artists. He was the first in Japanese woodblock printing to use half-length compositions for women's portraits; none of his work from 1790–1792 has survived.
1793
Recognition and the end of the arrangement with Tsutaya
In 1793 Utamaro achieves recognition as an artist, and his semi-exclusive arrangement with the publisher Tsutaya Jūzaburō ends. He then goes on to produce several well-known series featuring women of the Yoshiwara district, and becomes one of the few ukiyo-e artists to win fame throughout Japan in his lifetime.
