ART WIKI
Tafawa Balewa Square Crowd, Marilyn Nance, 1977, printed later
Marilyn Nance, portraitMarilyn NanceÉtats-Unis, 1953

Tafawa Balewa Square Crowd

1977, printed later · Photograph

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Art Institute of Chicago

Chicago, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Numéro d’inventaire
2021.280

Ce qu’elle montre

African AmericanAfricanBlack cultureCritical HistoryPeoplePortraits: African subjectDocumentary

Au catalogue

PhotographiesTirage gélatino-argentiqueArt contemporainXXe siècleÉtats-Unis

Sources

Autres œuvres : Marilyn Nance

Toutes les œuvres
Sun Ra Rehearsing in FESTAC Village, Marilyn Nance, February 1977

Sun Ra Rehearsing in FESTAC Village

1977 · Museum of Modern Art

Nigeria FESTAC 77, Marilyn Nance, January 15, 1977

Nigeria FESTAC 77

1977 · Museum of Modern Art

Nigeria FESTAC 77, Marilyn Nance, 1977, printed 2019

Nigeria FESTAC 77

1977, printed 2019 · Non exposée · Art Institute of Chicago

Senegalese Contingent, Closing Ceremony, Marilyn Nance, 1977, printed later

Senegalese Contingent, Closing Ceremony

1977, printed later · Non exposée · Art Institute of Chicago

National Stadium Crowd, Marilyn Nance, 1977, printed later

National Stadium Crowd

1977, printed later · Non exposée · Art Institute of Chicago

Nigeria FESTAC 77, Marilyn Nance, 1977

Nigeria FESTAC 77

1977 · Non exposée · Art Institute of Chicago

USA Contingent, Closing Ceremony, National Stadium, Marilyn Nance, 1977, printed later

USA Contingent, Closing Ceremony, National Stadium

1977, printed later · Non exposée · Art Institute of Chicago

Nigeria FESTAC 77, Marilyn Nance, 1977, printed 1978

Nigeria FESTAC 77

1977, printed 1978 · Non exposée · Art Institute of Chicago

Sous le même toit : Art Institute of Chicago

Page du musée
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Les Deux Sœurs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

La Corbeille de pommes, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Sur le même thème · African American

Toutes les œuvres sur ce thème
Plate Number 6. Walking, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 6. Walking, 1887

Non exposée · National Gallery of Art

Plate Number 126. Descending stairs, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 126. Descending stairs, 1887

Non exposée · National Gallery of Art

Nurse Midwife Maude Callen, New Dresses, W. Eugene Smith, 1951

W. Eugene Smith

Nurse Midwife Maude Callen, New Dresses, 1951

Non exposée · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941

Gordon Parks

Langston Hughes, Chicago, 1941

Non exposée · National Gallery of Art

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), 1943

Non exposée · National Gallery of Art

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), 1943

Non exposée · National Gallery of Art

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), 1943

Non exposée · National Gallery of Art

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), 1943

Non exposée · National Gallery of Art