Study of sky and trees, John Constable, ca. 1821
John Constable, portraitJohn ConstableRoyaume-Uni, 1776–1837

Study of sky and trees

ca. 1821 · Oil painting · 25.4 × 29.8 cm

Peut-on la contempler ?

Oui, elle reçoit

Victoria and Albert Museum

Londres, Royaume-Uni

SallePaintings, Room 88, The Edwin and Susan Davies Galleries

Présentée au public.

Vérifié
Dans cet état depuis
Source
Le musée

Notice

Numéro d’inventaire
157-1888

Au catalogue

Sources

Pendant ce temps, chez John Constable

La vie entière
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

  3. 1821

    Son born: Charles Golding Constable

  4. 23 October 1821

    To Fisher: “I have done a good deal of skying”

    Constable wrote to Fisher that he had done a good deal of skying and was determined to conquer all the difficulties that remained. He made cloud studies, noting the weather, direction of light and time of day on the back, and held the sky to be the key note of a landscape, drawing on the meteorologist Luke Howard’s classification of clouds.

  5. 1822/1823

    Daughter born: Isabel Constable

Toutes les œuvres

Dans la même salle · Paintings, Room 88, The Edwin and Susan Davies Galleries, Victoria and Albert Museum

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