Study of a snake
À propos de l’œuvre
Beatrix Potter (1866-1943) is one of the world's best-loved children's authors and illustrators. She wrote the majority of the twenty-three Original Peter Rabbit Books between 1901 and 1913. The Tale of Peter Rabbit (Frederick Warne, 1902) is her most famous and best-loved tale.
From early childhood Beatrix Potter spent time drawing the many pets that she kept in her schoolroom: over the years, her pets included lizards, snails, bats, mice, rabbits and many other animals. During the family’s long summer holidays to rural areas she also took the opportunity to draw the plants and animals she saw in the countryside. Even her earliest childhood drawings show a serious interest in natural history, her sketches annotated with information about the species concerned.
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As a young woman Beatrix Potter studied natural history with some seriousness, exploring the collections of the Natural History Museum, including the insect cases and fungi specimens. She had a collector’s cabinet full of specimens, from shells to dead butterflies and moths, and used a magnifying glass and a microscope to examine them more closely. She made numerous carefully observed studies of animals and plants from life.
This study of a snake is characteristic of Potter’s early work and may possibly have been made during on her visits to London’s Zoological Gardens.
Victoria and Albert Museum
Notice
Pendant ce temps, chez Beatrix Potter
La vie entièrechildhood
A schoolroom turned menagerie
The schoolroom of Beatrix and Bertram housed mice, rabbits, a hedgehog, bats, frogs and a newt named Isaac Newton, alongside collections of butterflies and other insects; the animals even went on long holidays, and the children watched them closely and drew them endlessly. Among the favourites were two rabbits — one of them, Peter, Beatrix walked on a lead, took with her on trains and dressed in a blue jacket, and later wrote her first tale about him.
in youth
The Royal Academy and John Everett Millais
In her teens Beatrix was a regular visitor to London’s art galleries, especially enjoying the Royal Academy’s summer and winter exhibitions; her journal shows the growth of her taste and critical eye. She was also influenced by her father’s friend, the painter Sir John Everett Millais, who recognised her gift of observation.
1881–1897
A journal in a cipher of her own
From 1881 Beatrix kept a journal in a simple substitution cipher of her own devising — in tiny handwriting, serving as both sketchbook and literary experiment, in which she described society, her impressions of art and the life around her. The entries stop in 1897, when her energies were absorbed in scientific study and in efforts to publish her drawings.
1882
The Lake District and Hardwicke Rawnsley
When Dalguise was no longer available, the Potters spent their first summer in the Lake District in 1882, at Wray Castle near Lake Windermere; sixteen-year-old Beatrix fell in love with its beauty and resolved to live there one day. There she met Hardwicke Rawnsley, the vicar of Wray and later founding secretary of the National Trust, whose views on the countryside left a lasting mark on her.
