Studies for a Gethsemane, ? Pieter Lastman, 17th century
Pieter LastmanPays-Bas, 1583–1633

Studies for a Gethsemane

17th century · Drawing

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Musées d'Art de Harvard

Cambridge, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
Dans cet état depuis
Source
Le musée

Notice

Numéro d’inventaire
2002.95.86

Au catalogue

Sources

Pendant ce temps, chez Pieter Lastman

La vie entière
  1. 1605

    Sets out for Italy with Jan Symonsz Pynas

    Having finished his training, in 1605 (by other accounts as early as 1603) he leaves for Italy with Jan Symonsz Pynas and Pynas’s brother, and for some time lives in Rome and Venice.

  2. 1605–1607

    Encounters the work of Caravaggio

    In Italy he becomes acquainted with the work of Caravaggio, which influences his individual style.

  3. 1618

    Recognised as Amsterdam’s foremost painter

    Having quickly won fame for his history and biblical pictures, he runs a large workshop and sells his works on the open market at good prices; in 1618 he is recognised as the most outstanding painter of his native Amsterdam. His pictures are biblical and mythological subjects set against idyllic Roman landscapes: “The Flight into Egypt”, “Odysseus and Nausicaa”, “Midas”, “The Raising of Lazarus”.

  4. 1625

    Rembrandt studies in his workshop for half a year

    In 1625 (by other accounts, in 1624) Rembrandt studies with him for six months; since Rembrandt never went to Italy, he quite probably took in Caravaggio’s influence and “Caravaggesque chiaroscuro” mainly or largely through this apprenticeship.

  5. 1632

    Illness and a move to his brother’s

    Never married, he moves in with his brother because of his health; the next year he dies, and on 4 April 1633 he is buried in the Old Church (Oude Kerk) in Amsterdam.

  6. 1633

    Died

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