Staande figuur, Karel Appel, 1949
Karel Appel, portraitKarel AppelPays-Bas, 1921–2006

Staande figuur

1949 · sculpture

Peut-on la contempler ?

Inconnu

Rijksmuseum Amsterdam

Amsterdam, Pays-Bas

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Source
Le musée

À propos de la sculpture

Shortly after the Second World War a new generation of young artists stepped into the limelight. With their unpolished and improvised painting and sculptures they celebrated their regained freedom after years of German occupation. Karel Appel looked at artefacts from Africa and Oceania. He thought they were exemplary models of the unspoilt creativity and drive that should form the basis of art in a free society.

Rijksmuseum Amsterdam

Notice

Numéro d’inventaire
BK-C-2015-1

Au catalogue

Sources

Pendant ce temps, chez Karel Appel

La vie entière
  1. 1947

    Begins assembling sculptures from used materials

    Appel began making sculptures from all kinds of used materials, in the technique of assemblage, and painting them in bright white, red, yellow, blue and black.

  2. 1948

    Co-founds the CoBrA group

    With Corneille, Constant and Jan Nieuwenhuys, Appel was among the founders of CoBrA: the Dutch Experimental Group was joined by the Belgian Pierre Alechinsky and the Dane Asger Jorn, and the Belgian poet Christian Dotremont coined the name from the initials of Copenhagen, Brussels and Amsterdam. The group set out to express instinct and the subconscious through painting, in loud, bright colors and fantastic imagery.

  3. 1949

    The scandalous CoBrA show at the Stedelijk Museum

    Appel exhibited with the other CoBrA artists at the Stedelijk Museum Amsterdam; the show caused a huge scandal and many objections in the press and among the public.

  4. 14 March 1949

    Scandal over his fresco in Amsterdam City Hall

    Appel completed the fresco “Questioning Children” commissioned for the canteen of Amsterdam City Hall, whose sketch had been approved by a city council committee. It drew a wave of harsh criticism and was covered up for ten years; after the scandal Appel began calling himself a barbarian and kept up the image, literally hurling paint at the canvas and groaning loudly as he worked.

  5. 1950

    Moves to Paris

    Because of the controversy and other negative Dutch reactions to CoBrA, Appel moved to Paris. From there he built an international reputation, traveling to Mexico, the United States, Yugoslavia, Brazil, Japan and China; he also lived in New York and Florence.

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