
Peut-on la contempler ?
Londres, Royaume-Uni
Elle appartient à la collection, mais n’est pas présentée en ce moment.
This is a panel made in about 1470-1485 in Northern Italy (Mantua or Venice). The panel is a pierced relief in ivory on a horn ground in a frame of 'alla certosina' marquetry and represents St. Sebastian. The saint is standing, naked except for a loin cloth, bound by his hands to a tree. His beard is lightly indicated and his hair falls in three rows of curls over his shoulders. The present relief is broadly similar to Mantegna's graphic work, although none of the key features can be paralleled in his drawings. It is most likely that the design is attributable to an artist in Mantegna's circle.
This panel would probably have been produced for use in the home as a devotional image. This relief reflects a tradition of emphasising not only the importance of pleasure stimulated by religious artworks, but also the extraordinary beauty of holy figures themselves. Outward beauty was understood to represent inner purity, and this panel invites the viewer to contemplate St Sebastian's bodily perfection through the unblemished surface of the ivory.
Victoria and Albert Museum