Sommeil de Caliban, Odilon Redon, 19th century
Odilon Redon, portraitOdilon RedonFrance, 1840–1916

Sommeil de Caliban

19th century · Painting · 48.2 × 38.5 cm

Peut-on la contempler ?

Inconnu

Musée d'Orsay

Paris, France

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
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Le musée

À propos du tableau

Sommeil de Caliban est un tableau réalisé par le peintre français Odilon Redon entre 1895 et 1900. De format vertical, cette huile sur bois est une composition symboliste qui trouve son inspiration dans La Tempête de William Shakespeare. Elle figure Ariel s'approchant de Caliban pendant son sommeil au pied d'un arbre au gros tronc blanc. Léguée par la veuve du fils de l'artiste, l'œuvre est conservée depuis 1984 au musée d'Orsay, à Paris.

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Notice

Numéro d’inventaire
RF 1984 48

Au catalogue

Sources

  • Wikidata
  • Image : Musée d'Orsay — Odilon Redon · Public domain · Wikimedia Commons

Pendant ce temps, chez Odilon Redon

La vie entière
  1. 20 avril 1840

    Born

  2. 1870–1871

    Army service in the Franco-Prussian War

    In 1870 Redon found himself in the field army in the Franco-Prussian War and, to the surprise of family and friends, proved a brave and steadfast soldier. The war, which ended for France in a humiliating peace, gave him confidence in himself.

  3. March 1874

    Death of his father

    In March 1874 Redon’s father died. It was a severe shock to the artist, who never got over his resentment of his father for the “homeless” years of his childhood, yet it let him devote himself entirely to art.

  4. 1884

    Huysmans’s novel “Against Nature” makes him known

    After the publication of Joris-Karl Huysmans’s novel “À rebours” in 1884 the public began to take an interest in Redon: the book’s hero assembled a collection of art that included Redon’s drawings.

  5. 1886

    The eighth Impressionist exhibition

    Redon took part in the eighth and last Impressionist exhibition.

  6. from 1890

    The turn from “noirs” to colour

    From 1890 Redon turned more and more to oil and pastel and gave up his “black” works; after 1900 he made no more noirs. He explained the change by saying he had realised that the unwinding ribbon of life brings not only sorrow but joy.

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