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  1. Collection/
  2. Victoria and Albert Museum/
  3. Shipping under a cloudy sky in the Thames
Shipping under a cloudy sky in the Thames, John Constable, April 1803
John Constable, portraitJohn ConstableRoyaume-Uni, 1776–1837

Shipping under a cloudy sky in the Thames

April 1803 · Watercolour · 19.7 × 32.3 cm

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 13 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Notice

April 1803 · à 27 ans
17761837
Numéro d’inventaire
807-1888

Ce qu’elle montre

Fleuve ou rivièreShipRiver Thames

Au catalogue

Dessins et aquarellesNéoclassicismeRomantismeXIXe siècleThames

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London

Pendant ce temps, chez John Constable

La vie entière
  1. 1802

    Turns down a drawing-master post

    Constable declined the post of drawing master at Great Marlow Military College, which Benjamin West, then head of the Academy, said would end his career. In a letter to John Dunthorne he admitted he had spent two years seeking the truth at second hand and declared his resolve to become a professional landscape painter.

  2. 1802–1803

    First exhibitions at the Royal Academy

    Constable first showed his work in 1802, and by 1803 he was exhibiting paintings at the Royal Academy.

  3. April 1803

    A month aboard the Coutts

    Constable spent almost a month aboard the East Indiaman Coutts as it called at south-east ports on its way from London to Deal, before leaving for China.

  4. 1804

    A year without exhibiting

    In 1804 Constable showed no pictures at all, telling his friend Joseph Farington that nothing was to be gained by setting his work against paintings extravagant in colour and in bad taste. His small canvases were easily lost on walls hung from ceiling to floor.

Autres œuvres : John Constable

Toutes les œuvres
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Musée du Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Musée du Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Musée du Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Metropolitan Museum of Art

Sous le même toit : Victoria and Albert Museum

Page du musée
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sur le même thème · Fleuve ou rivière

Toutes les œuvres sur ce thème
The Tetons and the Snake River, Grand Teton National Park, Wyoming, Ansel Adams, 1942, printed 1980

Ansel Adams

The Tetons and the Snake River, Grand Teton National Park, Wyoming, 1942, printed 1980

Non exposée · National Gallery of Art

Grand Canyon of the Colorado River, Grand Canyon National Park, Arizona, Ansel Adams, c. 1942, printed 1980

Ansel Adams

Grand Canyon of the Colorado River, Grand Canyon National Park, Arizona, c. 1942, printed 1980

Non exposée · National Gallery of Art

Aspens, Dawn, Dolores River Canyon, Autumn, Colorado, Ansel Adams, 1937, printed 1981

Ansel Adams

Aspens, Dawn, Dolores River Canyon, Autumn, Colorado, 1937, printed 1981

Non exposée · National Gallery of Art

Lodgepole Pines, Lyell Fork of the Merced River, Yosemite National Park, California, Ansel Adams, 1921, printed 1979

Ansel Adams

Lodgepole Pines, Lyell Fork of the Merced River, Yosemite National Park, California, 1921, printed 1979

Non exposée · National Gallery of Art

Merced River, Cliffs, Autumn, Yosemite Valley, California, Ansel Adams, c. 1939, printed 1980

Ansel Adams

Merced River, Cliffs, Autumn, Yosemite Valley, California, c. 1939, printed 1980

Non exposée · National Gallery of Art

Half Dome, Merced River, Winter, Yosemite National Park, California, Ansel Adams, c. 1938, printed 1980

Ansel Adams

Half Dome, Merced River, Winter, Yosemite National Park, California, c. 1938, printed 1980

Non exposée · National Gallery of Art

Grass and Reflections in the Lyell Fork of the Merced River, Yosemite National Park, California, Ansel Adams, c. 1943

Ansel Adams

Grass and Reflections in the Lyell Fork of the Merced River, Yosemite National Park, California, c. 1943

Non exposée · Museum of Modern Art

Early Morning, Merced River, Yosemite National Park, California, Ansel Adams, c. 1950

Ansel Adams

Early Morning, Merced River, Yosemite National Park, California, c. 1950

Non exposée · Museum of Modern Art